Amalia Mesa-Bains
Amalia Mesa-Bains (born July 10, 1943), is a Chicana curator, author, visual artist, and educator. She is best known for her large-scale installations that reference home altars and ''ofrendas''. Her work engages in a conceptual exploration of Mexican American women's spiritual practices that addresses colonial and imperial histories of display, the recovery of cultural memory, and their roles in identity formation.In her writing, she examines the formation of Chicana identity and aesthetic practices, the shared experiences of historically marginalized communities in the United States, especially among women of color, and the role of multiculturalism within museums and cultural institutions. Her essay, "Domesticana: The Sensibility of Chicana Rasquache," theorized domesticana as a set of aesthetic strategies that use spaces and experiences historically associated with Mexican American women as sites for Chicana feminist reclamation. Provided by Wikipedia
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3by Garza, Carmen LomasOther Authors: “…Mesa-Bains, Amalia…”
Published 1991
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4Published 1988Other Authors: “…Mesa-Bains, Amalia…”
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5Published 1993Other Authors: “…Mesa-Bains, Amalia…”
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6Published 1999Other Authors: “…Mesa-Bains, Amalia…”
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7Published 1986Other Authors: “…Mesa-Bains, Amalia…”
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8by Kubiak, RichardOther Authors:
Published 1990Call Number: Loading…
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Art, American
Art, Modern
Mexican American art
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Hispanic American art
Mexican American artists
Altarieces
Art, Cuban
Art, Irish
Art, Latin American
Christian art and symbolism
Figurative art
Heart in art
Hispanic American families in art
Hispanic Americans in art
Human figure in art
Intercultural communication
Spirituality in art
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Women artists