Italian film in the light of neorealism /

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Bibliographic Details
Main Author: Marcus, Millicent Joy
Format: Book
Language:English
Published: Princeton, N.J. : Princeton University Press, 1986.
Subjects:

MARC

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100 1 |a Marcus, Millicent Joy.  |0 http://id.loc.gov/authorities/names/n79108190 
245 1 0 |a Italian film in the light of neorealism /  |c Millicent Marcus. 
264 1 |a Princeton, N.J. :  |b Princeton University Press,  |c 1986. 
300 |a xix, 443 pages :  |b illustrations ;  |c 23 cm 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
504 |a Includes bibliographical references (pages [423]-436) and index. 
505 0 |a Rossellini's Open city : the founding -- De Sica's Bicycle thief : casting shadows on the visionary city -- De Santis's Bitter rice : a neorealist hybrid -- De Sica's Umberto D : dark victory for neorealism -- Comencini's Bread, love, and fantasy : consumable realism -- Fellini's La strada : transcending neorealism -- Visconti's Senso : the Risorgimento according to Gramsci -- Antonioni's Red desert : abstraction as the guiding idea -- Olmi's Il posto : discrediting the economic miracle -- Germi's Seduced and abandoned : inside the honor code -- Pasolini's Teorema : the halfway revolution -- Petri's Investigation of a citizen above suspicion : power as pathology -- Bertolucci's The conformist : a morals charge -- Wertmuller's Love and anarchy : the high price of commitment -- Rosi's Christ stopped at Eboli : a tale of two Italies -- The Taviani brothers' Night of the shooting stars : ambivalent tribute to neorealism -- Scola's We all loved each other so much : an epilogue. 
650 0 |a Motion pictures  |z Italy.  |0 http://id.loc.gov/authorities/subjects/sh93009046 
650 0 |a Realism in motion pictures.  |0 http://id.loc.gov/authorities/subjects/sh85111771 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a Realism in motion pictures.  |2 fast  |0 (OCoLC)fst01091239 
651 7 |a Italy.  |2 fast  |0 (OCoLC)fst01204565 
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