Between biblical criticism and poetic rewriting : interpretative struggles over Genesis 32:22-32

Between biblical criticism and poetic rewriting : interpretative struggles over Genesis 32:22-32 /

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Bibliographic Details
Main Author: Tongue, Samuel
Corporate Author: Ebooks Corporation
Format: Electronic eBook
Language:English
Published: Boston : Brill, 2014.
Series:Biblical interpretation series, VOLUME 129
Subjects:
Bible. > Genesis XXXII, 22-32 > Criticism, interpretation, etc.
Poetry > History and criticism.
Online Access:Connect to this title online (unlimited simultaneous users allowed; 325 uses per year)

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245 1 0 |a Between biblical criticism and poetic rewriting :  |b interpretative struggles over Genesis 32:22-32 /  |c by Samuel Tongue. 
264 1 |a Boston :  |b Brill,  |c 2014. 
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490 0 |a Biblical interpretation series,  |x 0928-0731 ;  |v VOLUME 129 
533 |a Electronic reproduction.  |b Perth, W.A.  |n Available via World Wide Web. 
588 |a Description based on print version record. 
505 0 0 |a Machine generated contents note:   |t Raising Dust: Why choose Jacob and the Angel? --   |t Argument Summarized --   |t What are we Reading When we Read 'The Bible'? --   |t Beginnings of the Enlightenment Bible --   |t New Inventions of Authority: the Rise and Rise of the Enlightenment Bible --   |t Bible-as-Document: Making Sense of Corruption --   |t Protecting the Texts: Scholarly Specialisms as Theological Defence --   |t Adding Notes in the Margin: Pietistic Tools to Open Pandora's Box --   |t Poetic Bible: Robert Lowth, Johann Gottfried Herder and the Parting of the Streams --   |t Robert Lowth's Understanding of the Purposes of Sacred Poetry --   |t Johann Gottfried Herder, the Book of Job, and the spirit of Einfühlung --   |t Confessions of Enquiring Romantics: Poets, Prophets and Biblical Criticism --   |t Coleridge and the Panharmonicon of the Poetic Bible --   |t Authority of the Cultural Bible --   |t 400th Anniversary of the King James Bible: The Cringes of Creating and Celebrating a Cultural Bible --   |t Returning to Bethsada and Stirring the Pool --   |t Theoretical Murmurs in Biblical Studies --   |t Arresting the Texts; how are the 'Literary' and 'Historical' Deployed in Biblical Studies? --   |t Nature of Biblical Criticism and the Pharmakon of Writing --   |t Bible-as-Literature: Robert Alter and Frank Kermode vs. The Bible and Culture Collective --   |t Literary Guide to the Bible --   |t Postmodern Bible --   |t Writing and History, or, Presiding over the "Organisation of Death" --   |t Biblical Archives --   |t History, Writing and 'Scripture' --   |t Realism, the Real, and Writing --   |t Elephants in the Many Rooms of Historical Criticism --   |t Poetic Retellings as Poetic Parageses --   |t Why Poetry? --   |t 'Critical Rupture: Asking Questions of Poetry --   |t Poetry in Theory --   |t Disciplining the Imagination in Biblical Studies --   |t Imagining the Facts --   |t Strangers at the Historical-Critical Table --   |t Serres, Derrida and Ricoeur: Metaphorical Inventions for Paragesis --   |t Parasites as Exegetical, Eisegetical, Intergetical Sites --   |t Reading and Retelling Again and Again: Who is doing What to Whom? And What does it Mean? --   |t Constructing 'Imaginary' Canons --   |t Double Canonicities and Differance in the Canonical Contract --   |t Hostipitality of Double-Canonicities: Alden Nowlan --   |t Pronouncing Shibboleth through Poetic Paragesis --   |t Doing without Names: Yehuda Amichai --   |t Parageses Pregnant with Catastrophe --   |t Groaning, Whispering, and Coughing Up Names in God's Territory: Jamie Wasserman --   |t Performing the 'Act-Event' of Canon --   |t Alterity, Invention, Singularity --   |t Poetic Paragesis as Ethical Non-Indifference --   |t Critical Men's Studies and Androcriticism in Biblical Studies --   |t Creating the Textual Spectacle of Genesis 32:22-32: All-in Wrestling with Barthes, Westermann and Gunkel --   |t On (Not) Seeing the 'Face of God' in the Textual Spectacle of Jacob and the Angel --   |t 'Visual Category' in Reading and Retelling Biblical Male Bodies --   |t Choreographies: Michael Symmons Roberts --   |t Denying the Look; Revealing and Re-veiling: Michael Schmidt --   |t Envisioning the Coup de Jarnac: David Kinloch --   |t Reading 'Below the Belt' in the Critical Wrestle --   |t Voice and the Wound: Marking the Male Body --   |t Anatomy of Poetic Paragesis --   |t Re-choreographing Biblical Interpretation: Limping or Dancing Away from the Jabbok? --   |t Calling Names from Off-Stage. 
504 |a Includes bibliographical references and index. 
630 0 0 |a Bible.  |p Genesis XXXII, 22-32  |x Criticism, interpretation, etc. 
650 0 |a Poetry  |x History and criticism. 
710 2 |a Ebooks Corporation 
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