The seeing century : film, vision and identity /
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| Other Authors: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Amsterdam ; Atlanta :
Rodopi,
2000.
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| Series: | Critical studies (Amsterdam, Netherlands) ;
v.14. |
| Subjects: |
Table of Contents:
- Introduction : From frame to frame : images in transition / Wendy Everett
- The 'family portrait', trauma and the punctum in Distant voices, still lives / Phil Powrie
- The dark side of Utopia : word, image, and memory in Goerges Perec's Récits d'Ellis Island : histoires d'errance et d'espoir / Peter Wagstaff
- History, memory, and art in Louis Malle's Au revoir les enfants / Christopher Shorley
- Mapping Iceland or the identity of space : Cold fever / Wendy Everett
- Irish images : constructs of film space/time / Gretchen Bisplinghoff
- Mocking the Mafia : Ciprì and Maresco's Sicilian apocalypse / Ernest Hampson
- Too late? Recent developments in Romanian cinema / Anne Jäckel
- From 'reespañolear' to 'Europeizar' : the subversion of Francoist mythology in La flor de mi secreto (The flower of my secret) by Pedro Almodovar' / María Camí-Vela
- 'Entering and leaving modernity'
- utopia and dystopia in Mambety's Touki bouki and Hyènes / Patrick Williams
- Luc Besson's Cinquième élément (1997) and the spectacular : the city-body and the sci-fi movie / Susan Hayward
- Of 'broken wall, the burning roof and tower' : gyno-turning in Limit up and Svankmajer's Faust / Lorna Fitzsimmons
- Voyages and border crossings : Jane Campion's The piano (1993) / Elisa Bussi
- Pédés et polémiques : faggots and fireworks
- Les nuits fauves and its moral(ity) / Steve Wharton
- 'Life-taker heart-breaker' : mask-ulinity and/or femininity in Full metal jacket / Raya Morag.