Thresholds of listening : sound, technics, space /
This collection of essays addresses recent and historical changes in the ways in which listening has been conceived as a cultural agency and act. It argues that listening, by emancipating from an essentially implied, passive-receiving, and subjected position, has become an explicit factor in culture...
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| Other Authors: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York :
Fordham University Press,
2015.
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| Edition: | First edition. |
| Series: | JSTOR EBA.
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| Subjects: | |
| Online Access: | Connect to this title online (unlimited users allowed) |
MARC
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| 245 | 0 | 0 | |a Thresholds of listening : |b sound, technics, space / |c edited by Sander van Maas. |
| 250 | |a First edition. | ||
| 264 | 1 | |a New York : |b Fordham University Press, |c 2015. | |
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |g Introduction / |r Sander van Maas -- |t The auditory re-turn (The point of listening) / |r Peter Szendy -- |t "Dear listener ... ": music and the invention of subjectivity / |r Lawrence Kramer -- |t Scenes of devastation: interpellation, finite and infinite / |r Sander van Maas -- |t Positive feedback: listening behind hearing / |r David Wills -- |t "Antennas have long since invaded our brains": listening to the "other music" in Friedrich Kittler / |r Melle Jan Kromhout -- |t Movement at the boundaries of listening, composition, and performance / |r Jason Freeman -- |t The biopolitics of noise: Kafka's "Der Bau" / |r Anthony Curtis Adler -- |t Torture as an instrument of music / |r John T. Hamilton -- |t Stop it, I like it! Embodiment, masochism, and listening for traumatic pleasure / |r Robert Sholl -- |t Sounds of belonging: accented writing in Jean Rhys's Good morning, midnight / |r Liedeke Plate -- |t Back to the beat: silent orality in Young Hae Chang Heavy Industries / |r Kiene Brillenburg Wurth -- |t The discovery of slowness in music / |r Alexander Rehding -- |t Negotiating ecstasy: electronic dance music and the temporary autonomous zone / |r Andrew Shenton. |
| 520 | |a This collection of essays addresses recent and historical changes in the ways in which listening has been conceived as a cultural agency and act. It argues that listening, by emancipating from an essentially implied, passive-receiving, and subjected position, has become an explicit factor in culture and the object of proactive collective and individual politics. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed July 27, 2015). | |
| 650 | 0 | |a Listening (Philosophy) |0 http://id.loc.gov/authorities/subjects/sh87005585 | |
| 650 | 7 | |a Listening (Philosophy) |2 fast |0 (OCoLC)fst00999824 |0 http://id.worldcat.org/fast/999824 | |
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| 655 | 0 | |a Electronic book. | |
| 700 | 1 | |a Maas, Sander van, |d 1968- |e editor. |0 http://id.loc.gov/authorities/names/n2004080773 | |
| 776 | 0 | 8 | |i Print version: |t Thresholds of listening. |b First edition. |d New York, NY : Fordham University Press, 2015 |z 9780823264377 |w (DLC) 2015009539 |w (OCoLC)905759228 |
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