Irish queer cinema /
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| Main Author: | |
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| Corporate Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh :
Edinburgh University Press,
[2018]
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| Subjects: | |
| Online Access: | Connect to this title online (unlimited simultaneous users allowed; 325 uses per year) |
Table of Contents:
- Machine generated contents note: 1. Queerly National and Nationally Queer: Paradoxes of an Irish Queer Cinema
- Queer
- Irish
- Space
- 2. Mapping Ireland's Queer Films
- First Wave Queer Cinema
- Celtic Tiger Queer Cinema
- Post-Celtic Tiger Queer Cinema
- 3. Re-imagined Kinship and Failed Communities
- Queering the Family
- Pigs
- Last Bus Home
- Conclusion
- 4. Contested Space of the Irish Pub
- Male Homosocial Space of the Irish Pub
- Man of No Importance
- Garage
- Conclusion
- 5. Compartmentalised Cosmopolitans and Rigid Fluidity
- Cowboys and Angels
- Goldfish Memory
- Situating Irish Lesbianism within Urban Space
- Conclusion
- 6. Queerly Productive Constraints of Rural Space
- Reefer and the Model
- Clash of the Ash
- Stag
- Conclusion
- 7. Queer Mobilities and Disassociated Masculinities
- I Went Down
- Disappearance of Finbar and Breakfast on Pluto
- Conclusion
- 8. Contested Belongings within Diasporic Space
- Reconstituting `Home' within Diaspora
- 2by 4
- Borstal Boy
- Conclusion
- 9. Irish Queer Short Film
- Contestation of Public Space
- Disrupting Domestic Spaces
- Spatiality of Lesbian Desire
- Conclusion
- 10. Concluding Remarks.