Following the cap-figure in Majapahit temple reliefs : a new look at the religious function of East Javanese temples, fourteenth and fifteenth centuries /
This publication provides a new understanding of the religious function of the East Javanese temples. The study of the cap-figures and their symbolism yields an outstanding contribution to the uniqueness of Majapahit culture.
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| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Brill,
2013.
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| Series: | Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde.
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| Subjects: | |
| Online Access: | Connect to this title online (unlimited users allowed) |
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| 100 | 1 | |a Kieven, Lydia. | |
| 245 | 1 | 0 | |a Following the cap-figure in Majapahit temple reliefs : |b a new look at the religious function of East Javanese temples, fourteenth and fifteenth centuries / |c by Lydia Kieven. |
| 260 | |b Brill, |c 2013. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde | |
| 505 | 0 | |a I. Introduction -- II. Narrative reliefs and Panji stories -- III. Iconography of the late East Javanese temple reliefs -- IV. Temples in context of religion and politics -- V. Table of depictions of cap-figures in Majapahit art in chronological order -- VI. Candi Jago: the cap, a new fashion of headgear -- VII. Candi Panataran: Panji -- VIII. Candi Surowono: Sidapaksa, a nobleman with a cap -- IX. Candi Mirigambar: Panji, the ideal lover and warrior -- X. Sanctuaries on Mount Penanggungan: Candi Kendalisodo, Candi Yudha, and the Panji statue from Candi Selokelir -- XI.conclusion: Panji and the cap-figure as intermediary characters on the path to tantric rituals. | |
| 505 | 0 | |a Following The Cap-Figure In Majapahit Temple Reliefs; Copyright; Contents; Acknowledgements; Technical notes; List of figures, tables, and plates; I. Introduction; Introducing the subject; previous research; methodology; outline; II. Narrative reliefs and panji stories; narrative reliefs and literary traditions; panji stories; the literary genre; previous research; symbolism of the panji stories; narratives, panji stories, and performing arts; III. Iconography of the late east javanese temple reliefs; iconographical conventions in the late east javanese temple reliefs; types of characters. | |
| 505 | 8 | |a Types of posturestypes of place; the cap-figures; the term 'cap'; iconography and classification; the kadeyan: gambyok relief and grogol statues; the gambyok relief; the grogol statues; further kertolo statues; IV. Temples in context of religion and politics; architecture of the majapahit period; the religious belief systems: saiwism and buddhism; tantrism; religious practices in majapahit temples; the politics of majapahit; temples in the 'unity of the realm'; the decline of majapahit -- mountain sanctuaries; water and mountain in ancient javanese mythology and art. | |
| 505 | 8 | |a v. Table of depictions of cap-figures in majapahit art in chronological orderselection of case studies; VI. Candi jago: the cap, a new fashion of headgear; layout and architecture; history and function; reliefs with cap-figures; tantri stories; angling dharma story; kunjarakarna story; sudhanakumara-awadana story; conclusion; VII. Candi panataran: panji, introducing the pilgrim into the tantric doctrine; layout and architecture; history and function; iconography and interpretation of the reliefs with cap-figures; the outer bathing place; the pendopo terrace (C). | |
| 505 | 8 | |a Analysis of the symbolic meaning of the reliefs on the pendopo terracethe naga temple (E); the small pendopo terrace (F); the dwarapala in front of the main temple; the main temple (G)/(H); the inner bathing place (I); conclusion; VIII. Candi surowono: sidapaksa, a nobleman with a cap; layout and architecture; history and function; iconography and interpretation of the narrative reliefs; the sri tanjung reliefs; the arjunawiwaha reliefs and the bubukshah reliefs; cross-references between the three narrative relief series; conclusion; addendum: further cap-figures. | |
| 505 | 8 | |a IX. Candi mirigambar: panji, the ideal lover and warriorlayout and architecture; history and function; iconography and interpretation of the narrative reliefs; conclusion; X. Sanctuaries on mount penanggungan: candi kendalisodo, candi yudha, and the panji statue from candi selokelir -- the climax; geographical situation and layout of the sanctuaries; history and function of the sites; candi kendalisodo; candi yudha; the panji statue from candi selokelir; conclusion; xi.conclusion: Panji and the cap-figure as intermediary characters on the path to tantric rituals. | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a This publication provides a new understanding of the religious function of the East Javanese temples. The study of the cap-figures and their symbolism yields an outstanding contribution to the uniqueness of Majapahit culture. | ||
| 546 | |a English. | ||
| 588 | 0 | |a Print version record. | |
| 648 | 7 | |a To 1478 |2 fast | |
| 650 | 0 | |a Hindu temples |z Indonesia |z Java |x History. | |
| 650 | 0 | |a Hindu symbolism |x History. | |
| 651 | 0 | |a Java (Indonesia) |x Religion. | |
| 651 | 0 | |a Indonesia |x History |y To 1478. | |
| 651 | 6 | |a Java (Indonésie) |x Religion. | |
| 651 | 6 | |a Indonésie |x Histoire |y Jusqu'à 1478. | |
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| 650 | 7 | |a RELIGION |x General. |2 bisacsh | |
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| 776 | 0 | 8 | |i Print version: |a Kieven, Lydia. |t Following the cap-figure in Majapahit temple reliefs. |d Brill, 2013 |w (DLC) 2013943621 |
| 830 | 0 | |a Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde. | |
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