Cinema, trance and cybernetics /

We've all had the experience of watching a film and feeling like we've been in a trance. This book takes that experience seriously, explaining cinema as a cultural technique of trance, one that unconsciously transforms our perceptions. Ute Holl moves from anthropological and experimental c...

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Bibliographic Details
Main Author: Holl, Ute (Author)
Other Authors: Hendrickson, Daniel, 1963- (Translator)
Format: Electronic eBook
Language:English
German
Published: Amsterdam : Amsterdam University Press, 2017.
Series:Recursions: theories of media, materiality, and cultural techniques.
Subjects:
Online Access:Connect to this title online (unlimited users allowed)

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100 1 |a Holl, Ute,  |e author. 
240 1 0 |a Kino, Trance & Kybernetik.  |l English 
245 1 0 |a Cinema, trance and cybernetics /  |c Ute Holl ; [translation: Daniel Hendrickson]. 
246 1 |i Title found on verso of title page:  |a Kino, Trance und Kybernetik 
246 1 4 |a Cinema, trance & cybernetics 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c 2017. 
300 |a 1 online resource (1 electronic resource (326 pages)) 
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490 1 |a Recursions: theories of media, materiality, and cultural techniques 
500 |a Translated from the German. 
504 |a Includes bibliographical references (pages 309-320) and index. 
505 0 0 |g 1.  |t Cinema --  |g 2.  |t Cybernetics --  |g 3.  |t Knots --  |g 4.  |t To whom it may concern --  |g 1.  |t Discretions --  |g 2.  |t Depersonalizations --  |g 3.  |t Deviations --  |g 4.  |t Compressions --  |g 1.  |t Mental apparatuses --  |g 2.  |t Psycho-motor activity --  |g 3.  |t Psycho-drama --  |g 4.  |t Psycho-technology --  |g 5.  |t Psycho-reflexology --  |g 1.  |t The truth won by means of film --  |g 1.  |t After all: return to receiver. 
520 8 |a We've all had the experience of watching a film and feeling like we've been in a trance. This book takes that experience seriously, explaining cinema as a cultural technique of trance, one that unconsciously transforms our perceptions. Ute Holl moves from anthropological and experimental cinema through nineteenth-century psychological laboratories, which she shows developed techniques for testing, measuring, and classifying the mind that can be seen as a prehistory of cinema, one that allows us to see the links among cinema, anthropology, psychology, and cybernetics. 
534 |p Originally published:  |c Berlin : Verlag Brinkmann and Bose, 2002.  |n Presented as the author's thesis (doctoral)--Humboldt-Universität Berlin, 2001. 
546 |a Translated from the German. 
542 1 |f This work is licensed by Knowledge Unlatched under a Creative Commons license  |u https://creativecommons.org/licenses/by-nc/4.0/legalcode 
588 0 |a Print version record; resource not viewed. 
650 0 |a Motion pictures  |x Psychological aspects. 
650 0 |a Motion pictures  |x Aesthetics. 
650 7 |a The arts.  |2 bicssc 
650 7 |a Film, TV and radio.  |2 bicssc 
650 7 |a Films, cinema.  |2 bicssc 
650 7 |a Film theory and criticism.  |2 bicssc 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a Motion pictures  |x Aesthetics  |2 fast 
650 7 |a Motion pictures  |x Psychological aspects  |2 fast 
653 |a media and communications. 
700 1 |a Hendrickson, Daniel,  |d 1963-  |e translator. 
776 0 8 |i Print version:  |t Cinema, trance and cybernetics.  |d Amsterdam : Amsterdam University Press, 2017  |z 9789089646682  |w (DLC) 2017445067 
830 0 |a Recursions: theories of media, materiality, and cultural techniques. 
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