Global Photographies : Memory - History - Archives.
How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colon...
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| Format: | Electronic eBook |
|---|---|
| Language: | English |
| Published: |
Bielefeld, Germany :
Transcript Verlag,
2017.
|
| Series: | Image Ser. ;
76. |
| Subjects: | |
| Online Access: | Connect to this title online (unlimited users allowed) |
MARC
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| 245 | 0 | 0 | |a Global Photographies : |b Memory - History - Archives. |
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| 490 | 1 | |a Image Ser. ; |v 76 | |
| 505 | 0 | 0 | |g Preface / |r Sissy helff, Stefanie Michels -- |t Re framing photography -- some thoughts / |r Stefanie Michels -- |t African photography in the Atlantic visual space : moving photographers -- circulating images / |r Jürg Schneider -- |t Elective affinities? history and photography / |r Jens Jäger -- |t How to use colonial photography in Sub-Saharan Africa for educational and academic purposes : the case of Togo / |r Kokou Azamede -- |t Presentness, memory, and history : Thabiso Sekgala, "Homeland" / |r Marie-Hélène Gutberlet -- |t On the circulation of colonial pictures : polyphony and fragmentation / |r Hans Peter Hahn -- |t Portraits of distant worlds : Frobenius' pictorial archive and its legacy / |r Richard Kuba -- |t Reflexions on the photographic archive in the humanities / |r Margrit Prussat -- |t Re-imagining the family album through literary adaptation / |r Sally Waterman -- |t Public rites/private memories : reconciling the social and individual in wedding photography / |r Jens Ruchatz. |
| 520 | |a How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial and anthropological photography. The contributions sketch the contested field of (post- )colonial photography and trace the manifold intertwinements between historical and contemporary photographs. | ||
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| 650 | 0 | |a Imperialism |x Photography. | |
| 650 | 0 | |a Historiography and photography. | |
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| 650 | 7 | |a History: specific events and topics. |2 bicssc | |
| 650 | 7 | |a Humanities. |2 bicssc | |
| 650 | 7 | |a Colonialism & imperialism. |2 bicssc | |
| 650 | 7 | |a HISTORY |x World. |2 bisacsh | |
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| 653 | |a Archive | ||
| 653 | |a Colonialism | ||
| 653 | |a Cultural History | ||
| 653 | |a Globalization | ||
| 653 | |a History | ||
| 653 | |a History of Colonialism | ||
| 653 | |a Memory | ||
| 653 | |a Photography | ||
| 653 | |a Postcolonialism | ||
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| 830 | 0 | |a Image Ser. ; |v 76. | |
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