Opera in Paris from the empire to the commune /
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Abingdon, Oxon ; New York, NY :
Routledge,
2019.
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| Subjects: | |
| Online Access: | Connect to this title online (unlimited simultaneous users allowed; 325 uses per year) |
Table of Contents:
- Machine generated contents note: Ouverture: power, licence and technology
- 1. music of power: Parisian opera and the politics of genre, 1806--1864
- 2. Grand opera - petit opera: Parisian opera and ballet from the Restoration to the Second Empire
- 3. Jacques Offenbach: the music of the past and the image of the present
- 4. operas of Francois-Auguste Gevaert: the tour d'horizon
- 5. Between Opera-Comique and Opera-National: Scribe, Vaez and Boisselot c1850
- Premier entr'acte: les ultramontains
- 6. Beethoven and Rossini: opera and concert at the end of the Restoration
- 7. `II n'y a qu'un Paris au monde, et j'y reviendrai planter mon drapeau!': Rossini's second grand opera
- 8. transalpine comedy: L'elisir d'amore and cultural transfer
- 9. Partners in rhyme: Alphonse Royer, Gustave Vaez, and foreign opera in Paris during the July Monarchy
- Second entr'acte: la musique allemande
- 10. Castil-Blaze and the reception of Weber in Paris, 1824--1857
- 11. Gluck, politics and the Second Empire press
- 12. Wagner and Paris: the case of Rienzi (1869)
- Strette: Censors and others.