Esthetics of the moment : literature and art in the French Enlightenment /

The literature and art of the French Enlightenment is everywhere marked by an intense awareness of the moment. The parallel projects of living in, representing, and learning from the moment run through the Enlightenment's endeavors as tokens of an ambition and a heritage imposing its only and u...

Full description

Saved in:
Bibliographic Details
Main Author: Kavanagh, Thomas M. (Author)
Format: Electronic eBook
Language:English
Published: Philadelphia : University of Pennsylvania Press, ©1996.
Series:Critical authors & issues.
Subjects:
Online Access:Connect to this title online (unlimited users allowed)

MARC

LEADER 00000cam a2200000 a 4500
001 b3284762
003 CStclU
005 20240524050223.0
006 m o d
007 cr cn|||||||||
008 000807s1996 paua ob 001 0 eng d
010 |z 96030919 
019 |a jeba966821413  |a jeba1197001596  |a jeba1413383877 
020 |a 0585172714  |q (electronic bk.) 
020 |a 9780585172712  |q (electronic bk.) 
020 |a 9780812202441  |q (electronic bk.) 
020 |a 0812202449  |q (electronic bk.) 
020 |z 0812233794  |q (cloth ;  |q alk. paper) 
020 |z 9780812233797 
035 |a (OCoLC)jeba44965311 
035 |a (OCoLC)44965311  |z (OCoLC)966821413  |z (OCoLC)1197001596  |z (OCoLC)1413383877 
037 |a 22573/ctt18g6crg  |b JSTOR 
040 |a N$T  |b eng  |e pn  |c N$T  |d OCL  |d OCLCQ  |d YDXCP  |d OCLCQ  |d TUU  |d OCLCQ  |d TNF  |d OCLCQ  |d OCLCF  |d N$T  |d OCLCO  |d OCLCQ  |d OCL  |d IDEBK  |d JSTOR  |d OCLCQ  |d DEBBG  |d OCL  |d OCLCQ  |d P@U  |d OCLCQ  |d IOG  |d EZ9  |d LUE  |d CUS  |d TXC  |d TOF  |d LVT  |d OCLCQ  |d UKAHL  |d LUN  |d AJS  |d RDF  |d OCLCO  |d OCLCQ  |d OCLCO  |d INARC  |d OCLCL 
043 |a e-fr--- 
049 |a STAW 
050 4 |a NX549.A1  |b K38 1996eb 
100 1 |a Kavanagh, Thomas M.,  |e author. 
245 1 0 |a Esthetics of the moment :  |b literature and art in the French Enlightenment /  |c Thomas M. Kavanagh. 
260 |a Philadelphia :  |b University of Pennsylvania Press,  |c ©1996. 
300 |a 1 online resource (viii, 294 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a data file 
490 1 |a Critical authors & issues 
504 |a Includes bibliographical references (pages 277-289) and index. 
505 0 |a Cover; Contents; List of Illustrations; Acknowledgments; Introduction; PART ONE: WRITING THE MOMENT; 1 Versions of the Moment; 2 Lahontan and the Moment Between Cultures; 3 Diderot and the Epicurean Moment; 4 Graffigny's Epiphany of the Moment; 5 Rousseau's Moment Beyond History; 6 Casanova and the Moment of Chance; PART TWO: PAINTING THE MOMENT; 7 Roger de Piles and the Moment's Glance; 8 Du Bos, Poussin, and the Force of the Moment; 9 Watteau's Incarnate Moment; 10 Chardin and the Moment Beyond Nature; 11 Boucher, Fragonard, and the Seductions of the Moment 
505 8 |a 12 Greuze and the Moment ForeclosedConclusion; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z 
520 |a The literature and art of the French Enlightenment is everywhere marked by an intense awareness of the moment. The parallel projects of living in, representing, and learning from the moment run through the Enlightenment's endeavors as tokens of an ambition and a heritage imposing its only and ultimately impossible cohesion. In this illuminating study, Thomas M. Kavanagh argues that Enlightenment culture and its tensions, contradictions, and achievements flow from a subversive attention to the present as present, freed from the weight of past and future. Examining a wide sweep of literary and artistic culture, Kavanagh argues against the traditional view of the Age of Reason as one of coherent, recognizable ideology expressed in a structured narrative form. In literature, he analyzes the moment at work in the inebriating lightness of Marivaux's repartee; the new-found freedom of Lahontan's and Rousseau's ideals of a consciousness limited to the present; Diderot's championing of Epicurean epistemology; Graffigny's portrayal of abrupt cultural displacement; and Casanova's penchant for chance's redefining moment. The moment in art theory and practice is explored in such forms as de Piles's defense of color; Du Bos's foregrounding of perception; Watteau's indulgence in a corporeal present; Chardin's dismantling of mimesis; and Boucher's and Fragonard's thematics of desire. 
588 0 |a Print version record. 
648 7 |a 1700-1799  |2 fast 
650 0 |a Ut pictura poesis (Aesthetics) 
650 0 |a Arts, French. 
650 0 |a Arts, Modern  |y 18th century. 
650 7 |a ut pictura poesis.  |2 aat 
650 7 |a ART  |x Performance.  |2 bisacsh 
650 7 |a ART  |x Reference.  |2 bisacsh 
650 7 |a ART  |x History  |x Baroque & Rococo.  |2 bisacsh 
650 7 |a Arts, French  |2 fast 
650 7 |a Arts, Modern  |2 fast 
650 7 |a Ut pictura poesis (Aesthetics)  |2 fast 
776 0 8 |i Print version:  |a Kavanagh, Thomas M.  |t Esthetics of the moment.  |d Philadelphia : University of Pennsylvania Press, ©1996  |z 0812233794  |w (DLC) 96030919  |w (OCoLC)35262250 
830 0 |a Critical authors & issues. 
856 4 0 |u https://login.libproxy.scu.edu/login?url=https://www.jstor.org/stable/10.2307/j.ctt18fsd6w  |z Connect to this title online (unlimited users allowed)  |t 0 
907 |a .b32847622  |b 240528  |c 190723 
998 |a uww  |b    |c m  |d z   |e l  |f eng  |g pau  |h 0 
919 |a .ulebk  |b 2024-02-15 
917 |a JSTOR EBA Program 
999 f f |i c6354375-d810-5ef1-a9ba-25d94c933baf  |s f1b12170-1acc-5f24-b7de-1462a34df574  |t 0