Trespassing through shadows : memory, photography, and the Holocaust /

Photographs of the Holocaust bear a double burden: to act as history lessons for future generations so we will "never forget" and to provide a means of mourning. In Trespassing through Shadows, Andrea Liss examines the inherent difficulties and productive possibilities of using photographs...

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Bibliographic Details
Main Author: Liss, Andrea
Format: Electronic eBook
Language:English
Published: Minneapolis : University of Minnesota Press, 1998.
Series:Visible evidence ; v. 3.
Subjects:
Online Access:Connect to this title online (unlimited users allowed)

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504 |a Includes bibliographical references (pages 136-147) and index. 
505 0 |a Acknowledgments; Introduction: (Im)Possible Witnessing; 1 Photography and Naming; 2 The Identity Card Project and the Tower of Faces at the United States Holocaust Memorial Museum; 3 Between Trauma and Nostalgia: Christian Boltanski's Memorials and Art Spiegelman's Maus; 4 Artifactual Witnessing as (Im)Possible Evidence; 5 The Provocation of Postmemories; In Lieu of a Conclusion: Tender Rejections; Notes; Bibliography; Index. 
520 |a Photographs of the Holocaust bear a double burden: to act as history lessons for future generations so we will "never forget" and to provide a means of mourning. In Trespassing through Shadows, Andrea Liss examines the inherent difficulties and productive possibilities of using photographs to bear witness, initiating a critical dialogue about the ways the post-Auschwitz generation has employed these documents to represent Holocaust memory and history 
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