Further on, nothing : Tadeusz Kantor's theatre /
Tadeusz Kantor (1915-1990) was one of the twentieth century's most innovative visual artists, stage directors, and theoreticians. His theatre productions and manifestos challenged the conventions of creating art in post-World War II culture and expanded the boundaries of Dada, surrealist, Const...
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| Format: | Electronic eBook |
| Language: | English |
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University of Minnesota Press :
Minneapolis,
2009.
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| Online Access: | Connect to this title online (unlimited users allowed) |
Table of Contents:
- My work-my journey (1988)
- Topography of representation. Independent theatre : theoretical essays (1942-1944)
- After the war : a night notebook or metamorphoses (1947-1948)
- Cricot 2 Theatre (about 1963)
- Reality of the lowest rank (1980)
- The autonomous theatre (1956/1963)
- The litany of the informel art (1955)
- The informel : terms and definitions
- The informel theatre (1961)
- The zero theatre (1963)
- The emballage (1957-1965)
- The "i" theatre (about 1969)
- The impossible theatre (1969-1973)
- 1955-1974
- Spatial historiography: The dead class. A classroom (1971 or 1972)
- The theatre of death (1975)
- The dead class : selections from the Partytura (1974)
- Theatre of similitude. Theatrical place (1970s-1980s)
- The room : maybe a new phase (1980)
- Etudes-sketches of a scenario
- "The last supper" sequence of rehearsals
- Prison (1985)
- Reflection (1985)
- To save from oblivion (March 1988)
- The real "I" (1988)
- Illusion
- Illusion and repetition
- My meetings with death (1987)
- Memory (1988)
- Spatial historiography: Silent night. A short history of my life
- Silent night (Cricotage) (1990)
- Silent night-Partytura (Cricotage) (1990)
- The space of khora. My room (1990)
- A painting (1990)
- From the beginning my credo was-- (1990).