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|a Fifteenth-century studies.
|n Volume 33 /
|c edited by Edelgard E. DuBruck and Barbara I. Gusick.
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|a Rochester, NY :
|b Camden House,
|c [2008]
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|a The Current State of Research on Late-Medieval Drama: 2005-2007. Survey, Bibliography, and Reviews -- Edelgard E. DuBruck<br>Recovering Queen Isabeau of France (c.1370-1435): A Re-Reading of Christine de Pizan's Letters to the Queen -- Tracy Adams<br>Diálogos textuales: una comparación entre <i>Clériadus et Méliadice</i> y <i>Ponthus et Sidoine</i> -- Lidia Amor<br>Money as Incentive and Risk in the Carnival Comedies of Hans Sachs (1494-1576) -- Edelgard E. DuBruck<br>Los prólogos y las dedicatorias en los textos traducidos de los siglos XIV y XV: Una fuente de información sobre la traducción -- Rocio del Rio Fernandez<br>The Rise and Persistence of a Myth: Witch Transvection -- Leonardas V. Gerulaitis<br>Text, Culture, and Print-Media in Early Modern Translation: Notes on the <i>Nuremberg Chronicle</i> (1493) -- Jonathan Green<br><i>"Ne supra crepidam sutor!"</i> [Schuster, bleib bei deinem Leisten!]: Das Diktum des Apelles seit Petrarca bis zum Ende des Quattrocento -- Christiane J. Hessler<br>"De l'ombre de mort en clarté de vie": The Evolution of Alain Chartier's Public Voice -- Ashby Kinch<br><i>"Nudus nudum Christum sequi"</i>: The Franciscans and Differing Interpretations of Male Nakedness in Fifteenth-Century Italy -- Franco Mormando<br>Robert Henryson's <i>Orpheus and Eurydice</i> and Its Sources -- Alessandra Petrina
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|a DuBruck, Edelgard E.,
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|a Gusick, Barbara I.,
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