Framing pictures : film and the visual arts /
Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into...
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh :
Edinburgh University Press,
©2011.
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| Series: | Edinburgh studies in film.
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| Subjects: | |
| Online Access: | Connect to this title online (unlimited users allowed) |
Table of Contents:
- List of Illustrations
- Preface
- Acknowledgements
- CHAPTER 1 Camera and Canvas: Emmer, Storck, Resnais and the Post-war Art Film
- CHAPTER 2 Vasari in Hollywood: Artists and Biopics
- CHAPTER 3 Galleries of the Gaze: The Museum in Rossellini's Viaggio in Italia and Hitchcock's Vertigo
- CHAPTER 4 Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard
- CHAPTER 5 Tableaux Vivants 2: Film Stills and Contemporary Photography
- CHAPTER 6 The Video That Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema
- Appendix to Chapter 2: Artist Biopics
- Bibliography
- Index.