Popular revenants : the German gothic and its international reception, 1800-2000 /

The first book in English on the German Gothic in over thirty years, consisting of new essays investigating the internationality of the Gothic mode.The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as...

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Bibliographic Details
Other Authors: Cusack, Andrew, 1969-, Murnane, Barry
Format: Electronic eBook
Language:English
German
Published: Rochester, NY : Camden House, 2012.
Series:Studies in German literature, linguistics, and culture.
Subjects:
Online Access:Connect to this title online (unlimited users allowed)

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245 0 0 |a Popular revenants :  |b the German gothic and its international reception, 1800-2000 /  |c edited by Andrew Cusack and Barry Murnane. 
246 3 |a German gothic and its international reception, 1800-2000 
260 |a Rochester, NY :  |b Camden House,  |c 2012. 
300 |a 1 online resource (vi, 309 pages). 
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490 1 |a Studies in German literature, linguistics, and culture 
500 |a "With two exceptions, the essays collected in this volume have evolved from papers presented at the symposium "Popular Revenants" held at Trinity College Dublin on 4-5 September 2009"--Acknowledgments. 
500 |a Includes some essays translated from German. 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction / Andrew Cusack -- Haunting (literary) history: an introduction to German gothic / Barry Murnane -- "The echo of the question, as if it had merely resounded in a tomb": the dark anthropology of the Schauerroman in Schiller's Der Geisterseher / Jurgen Barkhoff -- Blaming the other: the Schauerroman and Anglo-German cultural transfer around 1800 / Silke Arnold-de Simine -- Scott, Hoffmann, and the persistence of the gothic / Victor Sage -- Intercultural transfer in the Dublin University magazine: James Clarence Mangan and the German gothic / Andrew Cusack -- In the maelstrom of interpretation: reshaping terror and horror between 1798 and 1838: Gleich, Hoffmann, Poe / Mario Grizelj -- Popular ghosts: Heinrich Heine on German Geistesgeschichte as gothic novel / Jorg Kreienbrock -- The spirit world of art and Robert Schumann's gothic novel project: the impact of gothic literature on Schumann's writings / Monika Schmitz-Emans -- About face: E.T.A. Hoffmann, Weimar film, and the technological afterlife of gothic physiognomy / Andrew Webber -- Of rats, wolves, and men: the Pied Piper as gothic revenant and provenant in Wilhelm Raabe's Die Hamelschen Kinder / Peter Arnds -- The lady in white or the laws of the ghost in Theodor Fontane's Vor dem Sturm / Matthias Bickenbach -- On golems and ghosts: Prague as a site of gothic modernism / Barry Murnane -- "Ein gespenst geht um": Christa Wolf, Irina Liebmann, and the post-Wall gothic / Catherine Smale. 
520 |a The first book in English on the German Gothic in over thirty years, consisting of new essays investigating the internationality of the Gothic mode.The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly -- for instance, in the form of plagiarized texts or pseudo-translations of nonexistent sources. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. Thisfirst book in English dedicated to the German Gothic in over thirty years is aimed at students and researchers in German Studies and English Studies, and redresses deficiencies in existing sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies. The book examines the international reception of German Gothic since the 1790s heyday of the Gothic novel in Britain and Germany; traces a line of Gothic writing in German to thepresent day; and inquires into the extraliterary impact of German Gothic. Thus the essays do full justice to the Gothic as a site of conflict and exchange -- both between cultures and between discourses. Contributors:Peter Arnds, Silke Arnold-de Simine, Jürgen Barkhoff, Matthias Bickenbach, Andrew Cusack, Mario Grizelj, Jörg Kreienbrock, Barry Murnane, Victor Sage, Monika Schmitz-Emans, Catherine Smale, Andrew Webber Andrew Cusack is Alexander von Humboldt Research Fellow at the Institut für Kulturwissenschaft of the Humboldt-Universität Berlin. Barry Murnane is Assistant Professor of German and Comparative Literature at the Martin-Luther-Universität Halle-Wittenberg, Germany. 
588 0 |a Print version record. 
650 0 |a Gothic fiction (Literary genre), German  |x History and criticism  |v Congresses. 
650 0 |a Gothic fiction (Literary genre), German  |x Appreciation  |v Congresses. 
650 0 |a Gothic fiction (Literary genre), English  |x History and criticism  |v Congresses. 
650 0 |a Gothic revival (Literature)  |v Congresses. 
650 0 |a Horror tales  |x History and criticism  |v Congresses. 
650 0 |a Horror films  |x History and criticism  |v Congresses. 
650 0 |a Influence (Literary, artistic, etc.)  |v Congresses. 
650 7 |a LITERARY COLLECTIONS  |x European  |x German.  |2 bisacsh 
650 7 |a Gothic fiction (Literary genre), English  |2 fast 
650 7 |a Gothic fiction (Literary genre), German  |2 fast 
650 7 |a Gothic revival (Literature)  |2 fast 
650 7 |a Horror films  |2 fast 
650 7 |a Horror tales  |2 fast 
650 7 |a Influence (Literary, artistic, etc.)  |2 fast 
655 7 |a Conference papers and proceedings  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
700 1 |a Cusack, Andrew,  |d 1969-  |1 https://id.oclc.org/worldcat/entity/E39PBJbCRR896jB9yCgdhvQQbd 
700 1 |a Murnane, Barry. 
776 0 8 |i Print version:  |t Popular revenants.  |d Rochester, N.Y. : Camden House, 2012  |z 9781571135193  |w (DLC) 2012003149  |w (OCoLC)753627069 
830 0 |a Studies in German literature, linguistics, and culture. 
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