Aesthetic vision and German romanticism : writing images

Aesthetic vision and German romanticism : writing images /

This volume crosses disciplinary boundaries to explore German Romantic writing about visual experience and the interplay of text and image in Romantic epistemology.

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Bibliographic Details
Main Author: Prager, Brad, 1971- (Author)
Format: Electronic eBook
Language:English
Published: Rochester, NY : Camden House, 2007.
Series:Studies in German literature, linguistics, and culture.
Subjects:
1700-1899
German literature > 18th century > History and criticism.
German literature > 19th century > History and criticism.
Aesthetics, German > 18th century.
Aesthetics, German > 19th century.
Romanticism > Germany > History > 18th century.
Romanticism > Germany > History > 19th century.
Imagery (Psychology) in literature.
Aesthetics, German
German literature
Imagery (Psychology) in literature
Romanticism
Romantik
Literatur
Ästhetische Wahrnehmung
Germany
Deutsch.
Brad Prager.
Fichte's Science of Knowledge.
German Romantic writing.
German Romanticism.
Idealism.
Idealist discourses.
Kant's Critique of Pure Reason.
Romantic Epistemology.
Romantic epistemology.
Text and Image.
Visual Experience.
allegory.
dark.
exterior.
image.
imagination.
interior.
light.
other.
self.
subjective space.
symbol.
text.
visual experience.
Criticism, interpretation, etc.
History
Online Access:Connect to this title online (unlimited users allowed)
Table of Contents:
  • Interior and exterior: G.E. Lessing's Laocoon as a prelude to romanticism
  • Image and phantasm: Wackenroder's Herzensergiessungen eines kunstliebenden Klosterbruders, Tieck's Franz Sternbalds Wanderungen, and the emergence of the romantic paradigm
  • Symbol and allegory: Clemens Brentano's Godwi
  • Sublimity and beauty: Caspar David Friedrich and Joseph Anton Koch
  • Light and dark: the paintings of Philipp Otto Runge
  • Absolution and contradiction: confrontations with art in Heinrich von Kleist's "Die heilige Cäcilie oder die Gewalt der Musik" and "Der Findling"
  • Self and other: Joseph von Eichendorff's Das Marmorbild.

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