Film Criticism, the Cold War, and the Blacklist : Reading the Hollywood Reds.
Film Criticism, the Cold War, and the Blacklist examines the long-term reception of several key American films released during the postwar period, focusing on the two main critical lenses used in the interpretation of these films: propaganda and allegory. Produced in response to the hearings held by...
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| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
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Berkeley :
University of California Press,
2014.
©2014 |
| Subjects: | |
| Online Access: | Connect to this title online (unlimited users allowed) |
MARC
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| 100 | 1 | |a Smith, Jeff, |d 1962 December 17- |1 https://id.oclc.org/worldcat/entity/E39PCjrph3RQtmxw89J3WcmHVK | |
| 245 | 1 | 0 | |a Film Criticism, the Cold War, and the Blacklist : |b Reading the Hollywood Reds. |
| 260 | |a Berkeley : |b University of California Press, |c 2014. | ||
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (365 pages) | ||
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| 505 | 0 | |a Cover; FILM CRITICISM, THE COLD WAR, AND THE BLACKLIST; Title; Copyright; Contents; List of Illustrations; List of Tables; Acknowledgments; Introduction: What More Can Be Said about the Hollywood Blacklist?; 1. A Bifocal View of Hollywood during the Blacklist Period: Film as Propaganda and Allegory; 2. I Was a Communist for RKO: Hollywood Anti-Communism and the Problem of Representing Political Beliefs; 3. Reds and Blacks: Representing Race in Anti-Communist Films; 4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and the HUAC Informer. | |
| 505 | 8 | |a 5. The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films6. Roaming the Plains along the "New Frontier": The Western as Allegory of the Blacklist and the Cold War; 7. Loving the Alien: Science Fiction Cinema as Cold War Allegory; Conclusion: Old Wounds and the Texas Sharpshooter; Notes; Bibliography; Index. | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a Film Criticism, the Cold War, and the Blacklist examines the long-term reception of several key American films released during the postwar period, focusing on the two main critical lenses used in the interpretation of these films: propaganda and allegory. Produced in response to the hearings held by the House Committee on Un-American Activities (HUAC) that resulted in the Hollywood blacklist, these films' ideological message and rhetorical effectiveness was often muddled by the inherent difficulties in dramatizing villains defined by their thoughts and belief systems rather than their a. | ||
| 546 | |a English. | ||
| 588 | 0 | |a Print version record. | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 650 | 0 | |a Motion pictures |x Political aspects |z United States. | |
| 650 | 0 | |a Motion pictures |z United States |x History |y 20th century. | |
| 650 | 0 | |a Cold War in motion pictures. | |
| 650 | 0 | |a Communism and motion pictures |z United States. | |
| 650 | 0 | |a Blacklisting of entertainers |z United States |x History |y 20th century. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Blacklisting of entertainers |2 fast | |
| 650 | 7 | |a Cold War (1945-1989) in motion pictures |2 fast | |
| 650 | 7 | |a Communism and motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Political aspects |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 653 | |a 20th century american culture. | ||
| 653 | |a 20th century american history. | ||
| 653 | |a allegory. | ||
| 653 | |a american entertainment culture. | ||
| 653 | |a american films. | ||
| 653 | |a anti communist propaganda. | ||
| 653 | |a cold war. | ||
| 653 | |a communism. | ||
| 653 | |a critical lens. | ||
| 653 | |a entertainment blacklist. | ||
| 653 | |a film and television. | ||
| 653 | |a film criticism. | ||
| 653 | |a film history. | ||
| 653 | |a historical films. | ||
| 653 | |a hollywood blacklist. | ||
| 653 | |a hollywood. | ||
| 653 | |a house committee on un american activities. | ||
| 653 | |a huac. | ||
| 653 | |a literary allegory. | ||
| 653 | |a movie studies. | ||
| 653 | |a police procedures. | ||
| 653 | |a political. | ||
| 653 | |a politics. | ||
| 653 | |a postwar period. | ||
| 653 | |a propaganda films. | ||
| 653 | |a propaganda. | ||
| 653 | |a science fiction films. | ||
| 653 | |a villains. | ||
| 653 | |a westerns. | ||
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Smith, Jeff. |t Film Criticism, the Cold War, and the Blacklist : Reading the Hollywood Reds. |d Berkeley : University of California Press, ©2014 |
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