Reading behind the lines : postmemory in contemporary British war fiction /
This study applies the concept of postmemory, developed in Holocaust studies, to novels by contemporary British writers. The first monograph-length study of postmemory in British fiction, it focuses on a group of texts about the World Wars.
Saved in:
| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
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Manchester, UK :
Manchester University Press,
2014.
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| Subjects: | |
| Online Access: | Connect to this title online (unlimited users allowed) |
MARC
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| 100 | 1 | |a Alden, Natasha, |e author. | |
| 245 | 1 | 0 | |a Reading behind the lines : |b postmemory in contemporary British war fiction / |c Natasha Alden. |
| 264 | 1 | |a Manchester, UK : |b Manchester University Press, |c 2014. | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (vii, 228 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction -- Regenerating the past : fact and fiction in the Regeneration trilogy -- "In the beginning was the word; and to that it came back in the long run" : Briony Tallis and Atonement -- Lesbian postmemory : haunted "history" in The night watch -- Conclusion. | |
| 520 | 8 | |a This study applies the concept of postmemory, developed in Holocaust studies, to novels by contemporary British writers. The first monograph-length study of postmemory in British fiction, it focuses on a group of texts about the World Wars. | |
| 600 | 1 | 7 | |a Andrae, A. |2 gnd |
| 600 | 1 | 7 | |a Englisch, ... |2 gnd |
| 600 | 1 | 7 | |a Waters, Sarah, |d 1966- |t Night watch. |2 idsbb |
| 600 | 1 | 7 | |a Barker, Pat, |d 1943- |t Regeneration trilogy. |2 idszbzes |
| 600 | 1 | 7 | |a Waters, Sarah, |d 1966- |t Night Watch. |2 idszbzes |
| 600 | 1 | 7 | |a McEwan, Ian, |d 1948- |t Atonement. |2 idszbzes |
| 648 | 7 | |a 1900-2099 |2 fast | |
| 650 | 0 | |a English fiction |y 20th century |x History and criticism. | |
| 650 | 0 | |a English fiction |y 21st century |x History and criticism. | |
| 650 | 0 | |a War in literature. | |
| 650 | 0 | |a Memory in literature. | |
| 650 | 0 | |a History in literature. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a War in literature |2 fast | |
| 650 | 7 | |a History in literature |2 fast | |
| 650 | 7 | |a War and literature |2 fast | |
| 650 | 7 | |a English fiction |2 fast | |
| 650 | 7 | |a Memory in literature |2 fast | |
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| 650 | 7 | |a Erster Weltkrieg |g Motiv |2 gnd | |
| 650 | 7 | |a Zweiter Weltkrieg |g Motiv |2 gnd | |
| 650 | 7 | |a Erinnerung |2 gnd | |
| 650 | 7 | |a World War, 1914-1918 |x Literature and the war. |2 idszbzes | |
| 650 | 7 | |a World War, 1939-1945 |x Literature and the war. |2 idszbzes | |
| 650 | 7 | |a War in literature. |2 idszbzes | |
| 650 | 7 | |a Memory in literature. |2 idszbzes | |
| 650 | 7 | |a Trauma in literature |y 20th century |x History and criticism. |2 idszbzes | |
| 650 | 7 | |a Historical fiction. |2 idszbzes | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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