Dan Ge performance : masks and music in contemporary Côte d'Ivoire /
Ge, formerly translated as "mask" or "masquerade," appears among the Dan people of COte d'Ivoire as a dancing and musical embodiment of their social ideals and religious beliefs. In Dan Ge Performance, Daniel B. Reed sets out to discover what resides at the core of Ge. He fi...
Saved in:
| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Bloomington :
Indiana University Press,
©2003.
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| Series: | African expressive cultures.
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| Subjects: | |
| Online Access: | Connect to this title online (unlimited users allowed) |
MARC
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| 100 | 1 | |a Reed, Daniel B. |q (Daniel Boyce), |d 1963- | |
| 245 | 1 | 0 | |a Dan Ge performance : |b masks and music in contemporary Côte d'Ivoire / |c Daniel B. Reed. |
| 264 | 1 | |a Bloomington : |b Indiana University Press, |c ©2003. | |
| 300 | |a 1 online resource (xix, 212 pages) : |b illustrations | ||
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| 490 | 1 | |a African expressive cultures | |
| 504 | |a Includes bibliographical references (pages 195-206) and index. | ||
| 505 | 0 | |a Introduction: Talking about Ge -- 1. On the Road to Man -- 2. Coexistence, Cooperation, and Conflict in the City of Eighteen Mountains -- 3. "When a rooster goes for a walk, he does not forget his house": "The Tradition" and Identity in a Diversifying Context -- 4. What Is Ge? -- 5. Manifesting Ge in Song -- 6. Drums as Instruments of Social and Religious Action -- 7. Gedro at Gueheva -- 8. Gegbade at Yokoboue -- 9. Pathways of Communication and Transformation. | |
| 520 | |a Ge, formerly translated as "mask" or "masquerade," appears among the Dan people of COte d'Ivoire as a dancing and musical embodiment of their social ideals and religious beliefs. In Dan Ge Performance, Daniel B. Reed sets out to discover what resides at the core of Ge. He finds that Ge is defined as part of a religious system, a form of entertainment, an industry, a political tool, an instrument of justice, and a form of resistance'and it can take on multiple roles simultaneously. He sees genu (pl.) dancing the latest dance steps, co-opting popular music, and acting in concert with Ivorian authorities to combat sorcery. Not only are the bounds of traditional performance stretched, but Ge performance becomes a strategy for helping the Dan to establish individual and community identity in a world that is becoming more religiously and ethnically diverse. Readers interested in all aspects of expressive culture in West Africa will find fascinating material in this rich and penetrating book | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Dan (African people) |x Rites and ceremonies. | |
| 650 | 0 | |a Dance |x Anthropological aspects |z Côte d'Ivoire. | |
| 650 | 0 | |a Dan (African people) |x Music. | |
| 650 | 7 | |a GAMES |x Reference. |2 bisacsh | |
| 650 | 7 | |a GAMES |x Travel Games. |2 bisacsh | |
| 650 | 7 | |a HISTORY |z Africa |x General. |2 bisacsh | |
| 650 | 7 | |a Dan (African people) |2 fast | |
| 650 | 7 | |a Dan (African people) |x Rites and ceremonies |2 fast | |
| 650 | 7 | |a Dance |x Anthropological aspects |2 fast | |
| 651 | 7 | |a Côte d'Ivoire |2 fast |1 https://id.oclc.org/worldcat/entity/E39QbtfRvHJMCGGH6yqTvBXWrY | |
| 650 | 7 | |a Dan |g Westafrika, Volk |2 gnd | |
| 650 | 7 | |a Maske |2 gnd | |
| 650 | 7 | |a Musik |2 gnd | |
| 650 | 7 | |a Tanz |2 gnd | |
| 651 | 7 | |a Elfenbeinküste |2 gnd | |
| 650 | 1 | 7 | |a Dan Yakuba. |2 gtt |
| 650 | 1 | 7 | |a Muziek. |2 gtt |
| 650 | 1 | 7 | |a Rituele dans. |2 gtt |
| 651 | 7 | |a Dan <Westafrika> |2 swd | |
| 655 | 7 | |a Music |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Reed, Daniel B. (Daniel Boyce), 1963- |t Dan Ge performance. |d Bloomington : Indiana University Press, ©2003 |z 0253342708 |w (DLC) 2002154305 |w (OCoLC)51093240 |
| 830 | 0 | |a African expressive cultures. | |
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