Austral jazz : the localization of a global music form in Sydney

Austral jazz : the localization of a global music form in Sydney /

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Bibliographic Details
Main Author: Robson, Andrew (Jazz musician) (Author)
Corporate Author: ProQuest (Firm)
Format: Electronic eBook
Language:English
Published: New York, NY ; Abingdon, Oxon : Routledge, 2020.
Series:Transnational studies in jazz.
Subjects:
Jazz > Australia > History and criticism.
Jazz musicians > Australia.
Online Access:Connect to this title online (unlimited simultaneous users allowed; 325 uses per year)

MARC

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100 1 |a Robson, Andrew  |c (Jazz musician),  |e author. 
245 1 0 |a Austral jazz :  |b the localization of a global music form in Sydney /  |c Andrew Robson. 
264 1 |a New York, NY ;  |a Abingdon, Oxon :  |b Routledge,  |c 2020. 
264 4 |c ©2020 
300 |a 1 online resource (xix, 161 pages.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Transnational studies in jazz 
504 |a Includes bibliographical references and index. 
504 |a Discography: page 152 
505 0 0 |a Machine generated contents note:   |t Jazz Beyond Nation --   |t Austral Jazz --   |t Double Identification and Local Circumstance --   |t Reidentification and Cultural Revitalization --   |t Self-Fashioning of the Already Local --   |t Moving Beyond the Cringe --   |t New Zealand --   |t Chapter Outline --   |t Notes --   |t References --   |g 1.  |t Jazz Australia: A Window into the Pre-Austral --   |t Jazz Australia --   |t Jazz Australia: The Bandleaders --   |t Don Burrows --   |t John Sangster --   |t Judy Bailey --   |t Bernie McGann --   |t Other Pre-Austral Currents --   |t Charlie Munro --   |t Mike Nock and The 3 Out Trio --   |t Conclusion --   |t Notes --   |t Discography --   |t References --   |g 2.  |t Chain Reaction: Jazz in the Classroom and Jazz After Dark --   |g pt. P   |t Jazz Studies Enters the Australian Classroom --   |t Burrows, Hobcroft, and Smith: The Sydney Conservatorium's First Jazz Trio? --   |t New Jazz Course Begins ... --   |t 1973: The First Faculty (aka Howie Smith)---A Faculty of One --   |t Jazz Education: Why Was Sydney Different? --   |g pt. I   |t Outside the Castle Walls --   |t Jazz After Dark: The Basement --   |t Horst Liepolt --   |t Galapagos Duck and Jazz Co/op --   |t Galapagos Duck --   |t Jazz Co/op --   |t Jazz Action Society --   |t Conclusion --   |t Notes --   |t Discography --   |t References --   |g 3.  |t Action, Re-Action, and Interaction --   |g pt. I   |t Jazz Education and Its Austral Implications --   |t Institutionalizing Jazz --   |t Ringing the Changes --   |g pt. II   |t Austral's New Wave---The Keys Music Association --   |t Keys: The Beginnings of the KMA --   |t KMA: Developing an Aesthetic --   |t Alternative Creative Vision --   |t March of the Five Limbs: Keys Music Association (Released 1983) --   |g pt. III   |t Keys Music Association---Time Associated Bands --   |t Benders --   |t Great White Noise --   |t Freeboppers --   |g pt. IV   |t Sandy Evans and Women and Children First --   |t National Tour --   |t Aftermath --   |t Conclusion --   |t Notes --   |t Discography --   |t References --   |g 4.  |t Doing It for Ourselves: Self-Fashioning of the Already Local --   |g pt. I   |t Changing of the Guard --   |t Sydney Improvised Music Association --   |t Jenny's Wine Bar --   |t McGann Records: At Long Last --   |t Renaissance: The Mythologizing of Bernie McGann --   |t Morgan's Feedwell: A Turning Point for McGann --   |t Consolidating the Austral Scene: SIMA in the Late 1980s --   |t Strawberry Hills Hotel (1989-1997) --   |t Record Labels --   |g pt. II   |t Sydney Scene into the 1990s---Eight Key Austral Ensembles --   |t Necks --   |t Ten Part Invention (1986) --   |t Engine Room --   |t catholics --   |t Clarion Fracture Zone --   |t Bernie McGann Trio --   |t Mike Nock Quartet --   |t Wanderlust --   |g pt. III   |t Austral Currents of the 1990s --   |g pt. IV   |t Austral Jazz---Towards Gender Equity --   |t Conclusion --   |t Appendix --   |t Notes --   |t Discography --   |t References --   |g 5.  |t Continuing Reidentifications of Austral Jazz --   |t Two Streams: Geocultural and Ethno-Historical Connection --   |g Stream One   |t Geocultural Connection --   |g Stream Two   |t Ethno-Historical Connection --   |t Project-Based Approach in a Changing Austral Landscape --   |t Two Case Studies --   |t Geocultural Connection: Simon Barker --   |t Ethno-Historical Connection: Lloyd Swanton's Ambon (2015) --   |t Emerging Trends --   |t Conclusion: Towards an Austral Future --   |t Postscript --   |t Notes --   |t Discography --   |t References. 
533 |a Electronic reproduction.  |b Ann Arbor, MI  |n Available via World Wide Web. 
545 0 |a Andrew Robson teaches and researches Music Studies in The Department of Media, Music, Communications and Cultural Studies at Macquarie University, Sydney, Australia. 
588 |a Description based on online resource; title from digital title page (viewed on July 24, 2019). 
650 0 |a Jazz  |z Australia  |x History and criticism. 
650 0 |a Jazz musicians  |z Australia. 
710 2 |a ProQuest (Firm) 
776 0 8 |i Print version:  |a Robson, Andrew (Jazz musician) author.  |t Austral jazz  |d New York, NY : Routledge, 2019  |z 9781138316027  |w (DLC) 2019013166 
830 0 |a Transnational studies in jazz. 
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