Performing indigenous identities on the contemporary Australian stage : land, people, culture

Performing indigenous identities on the contemporary Australian stage : land, people, culture /

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Bibliographic Details
Main Author: Thurow, Susanne Julia (Author)
Corporate Author: ProQuest (Firm)
Format: Electronic eBook
Language:English
Published: Abingdon, Oxon ; New York, NY : Routledge, an imprint of the Taylor & Francis Group, 2020.
Subjects:
Rankin, Scott. > Namatjira.
Enoch, Wesley. > I am Eora.
Theater, Aboriginal Australian > History > 20th century.
Theater, Aboriginal Australian > History > 21st century.
Australian drama > Aboriginal Australian authors > History and criticism.
Aboriginal Australians in literature.
Online Access:Connect to this title online (unlimited simultaneous users allowed; 325 uses per year)

MARC

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245 1 0 |a Performing indigenous identities on the contemporary Australian stage :  |b land, people, culture /  |c Susanne Julia Thurow. 
264 1 |a Abingdon, Oxon ;  |a New York, NY :  |b Routledge, an imprint of the Taylor & Francis Group,  |c 2020. 
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504 |a Includes bibliographical references and index. 
505 0 0 |a Machine generated contents note:   |t Mapping the field --   |t Conceptual frame --   |t Production --   |t Dramaturgy --   |t Reception --   |t References --   |g 1.  |t Cultural and historical context --   |t Cultural relations in Australia --   |t Indigenous Australia?! ontologies and cultural practice --   |t brief overview of Australian colonial history --   |t References --   |g 2.  |t Contemporary Indigenous Australian theatre --   |t beginnings --   |t Coming of age --   |t Maturing practice --   |t Autobiographical plays --   |t Stories of family --   |t Trauma and the female role model --   |t Romance --   |t Adaptations of classics --   |t Historiographical intervention --   |t Oppression --   |t Agency, tenacity and inclusion --   |t Relation to traditional formats --   |t References --   |g 3.  |t Case study: Scott Rankin's Namatjira (2010) --   |t Namatjira Project --   |t Production history --   |t Setting the scene --   |t Plot summary --   |t Analysis --   |t Colonial space: aesthetic approach --   |t Relational identity --   |t "Country": Aranda and Western ontologies --   |t Christianity --   |t Entrepreneurism --   |t Gender --   |t Conclusion --   |t Coda --   |t References --   |g 4.  |t Case study: Wesley Enoch & Anita Heiss' I Am Eora (2012) --   |t Introduction --   |t work of Wesley Enoch --   |t Production history --   |t Historical figures --   |t Setting the scene --   |t Plot summary --   |t Analysis --   |t "Nation": aesthetic approach --   |t "Country": configuring emplacement --   |t "People": formulating culture --   |t Temporalities --   |t Historiography --   |t Leadership --   |t Gender --   |t Conclusion --   |t References --   |t References. 
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650 0 |a Theater, Aboriginal Australian  |x History  |y 21st century. 
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650 0 |a Aboriginal Australians in literature. 
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