Roland Barthes and film : myth, eroticism and poetics

Roland Barthes and film : myth, eroticism and poetics /

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Bibliographic Details
Main Author: Ffrench, Patrick (Author)
Corporate Author: ProQuest (Firm)
Format: Electronic eBook
Language:English
Published: London : Bloomsbury Academic, 2020.
Series:Film thinks.
Subjects:
Barthes, Roland.
Motion pictures > Philosophy.
Online Access:Connect to this title online (unlimited simultaneous users allowed; 325 uses per year)

MARC

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245 1 0 |a Roland Barthes and film :  |b myth, eroticism and poetics /  |c Patrick Ffrench. 
264 1 |a London :  |b Bloomsbury Academic,  |c 2020. 
300 |a 1 online resource (x, 311 pages) :  |b illustrations (black and white. 
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490 1 |a Film thinks 
504 |a Includes bibliographical references and index. 
505 0 0 |a Machine generated contents note:   |g ch. 1   |t Film as Myth and Form --   |t Face as Object --   |t Space of the Theatre --   |t Visible Surface of Things --   |t Toward the Photogram --   |g ch. 2   |t Filmology and Semiology --   |t Barthes and Filmology --   |t Semiologies of the Image --   |t Barthes and Cahiers du Cinema: The 1963 Interview --   |t Semiology and Cinema: The Image et Son Interview --   |t Pesaro 1966 --   |g ch. 3   |t Third Meaning --   |t Barthes, Cahiers, and Tel Quel --   |t Obvious and Obtuse --   |t Big Toe --   |t Filmic --   |t Gesture and Tableau --   |t Fetishist? --   |g ch. 4   |t Beyond "The Third Meaning" --   |t Photogram: Sylvie Pierre --   |t Suppressed Emotion: Georges Didi-Huberman --   |t Out of Frame: Raymonde Carasco and Gilles Deleuze --   |t Film-Work: Thierry Kuntzel --   |t Toward the Punctum: Photography in Cahiers --   |g ch. 5   |t Leaving the Cinema --   |t Film as Jouissance: Figure and Voice --   |t Different Imaginary --   |t Ravishment --   |g ch. 6   |t Photography, Not Cinema? --   |t "This has been": The Radical Difference between Photography and Cinema --   |t Blurring the Radical Difference --   |g ch. 7   |t Dear Antonioni --   |t Loving Vigilance --   |t Possibility of Happiness in the Modern World --   |t Barthes and Antonioni in China --   |t Hum of Language. 
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650 0 |a Motion pictures  |x Philosophy. 
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