Kendrick Lamar and the making of black meaning

Kendrick Lamar and the making of black meaning /

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Bibliographic Details
Other Authors: Driscoll, Christopher M. (Editor), Miller, Monica R., 1981- (Editor), Pinn, Anthony B. (Editor)
Format: Electronic eBook
Language:English
Published: Abingdon, Oxon ; New York : Routledge, 2020.
Edition:[1st edition].
Series:Routledge studies in hip hop and religion.
Subjects:
Lamar, Kendrick, > 1987- > Criticism and interpretation.
Lamar, Kendrick, > 1987-
2011-2020
Rap (Music) > 2011-2020 > History and criticism.
Rap (Music) > Religious aspects.
Rap (Music)
Criticism and interpretation.
Criticism, interpretation, etc.
Online Access:Connect to this title online (unlimited users allowed)

MARC

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245 0 0 |a Kendrick Lamar and the making of black meaning /  |c edited by Christopher M. Driscoll, Monica R. Miller and Anthony B. Pinn. 
246 3 |a Kendrick Lamar & the making of black meaning 
250 |a [1st edition]. 
264 1 |a Abingdon, Oxon ;  |a New York :  |b Routledge,  |c 2020. 
300 |a 1 online resource. 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Routledge studies in hip hop and religion 
504 |a Includes bibliographical references and index. 
505 0 0 |a Machine generated contents note:   |g pt. I   |t Section.80 (2011) --   |g 1.  |t Kendrick Lamar's Section.80: Reagan-era blues /  |r Ralph Bristout --   |g 2.  |t Can I be both? blackness and the negotiation of binary categories in Kendrick Lamar's Section.80 /  |r Margarita Simon Guillory --   |g 3.  |t Hoi' up: post-civil rights black theology within Kendrick Lamar's Section.80 album /  |r Daniel White Hodge --   |g 4.  |t Singing experience in Section.80: Kendrick Lamar's poetics of problems /  |r Michael Thomas --   |g pt. II   |t Good kid, m.A.A.d. city (2012) --   |g 5.  |t good, the m.A.A.d, and the holy: Kendrick Lamar's meditations on sin and moral agency in the post-gangsta era /  |r Juan M. Floyd-Thomas --   |g 6.  |t `Real is responsibility': revelations in white through the filter of black realness on good kid, m.A.A.d. city /  |r Rob Peach --   |g 7.  |t `Black meaning' out of urban mud: good kid, mAA.d city as Compton gn'of-riff at the crossroads of climate-apocalypse? /  |r James W. Perkinson --   |g 8.  |t Rap as Ragnardk: Kendrick Lamar, Eminem, and the value of competition /  |r Christopher M. Driscoll --   |g pt. III   |t To Pimp a Butterfly (2015) --   |g 9.  |t Can dead homies speak? the spirit and flesh of black meaning /  |r Monica R. Miller --   |g 10.  |t Loving [you] is complicated: black self-love and affirmation in the rap music of Kendrick Lamar /  |r Darrius D. Hills --   |g 11.  |t From `blackness' to afrofuture to `impasse': the figura of the Jimi Hendrix/Richie Havens identity revolution as faintly evidenced by the work of Kendrick Lamar and more than a head nod to Lupe Fiasco /  |r Jon Gill --   |g 12.  |t Beyond flight and containment: Kendrick Lamar, black study, and an ethics of the wound /  |r Joseph Winters --   |g pt. IV   |t DAMN. (2017) --   |g 13.  |t "Real nigga conditions": Kendrick Lamar, grotesque realism, and the open body /  |r Anthony B. Pinn --   |g 14.  |t DAMNcd to the earth: Kendrick Lamar, de/colonial violence, and earthbound salvation /  |r Melanie C. Jones --   |g 15.  |t Kendrick Lamar's DAMN, as an aesthetic genealogy /  |r Dominik Hammer --   |g 16.  |t `I'm an Israelite': Kendrick Lamar's spiritual search, Hebrew Israelite religion, and the politics of a celebrity encounter /  |r Sam Kestenbaum --   |g 17.  |t Damnation, identity, and truth: vocabularies of suffering in Kendrick Lamar's DAMN /  |r Andre E. Key --   |g 18.  |t Hebrew Israelite covenantal theology and Kendrick Lamar's constructive project in DAMN /  |r Spencer Dew. 
533 |a Electronic reproduction.  |b Ann Arbor, MI  |n Available via World Wide Web. 
545 0 |a Christopher M. Driscoll is Assistant Professor of Religion, Africana, and American Studies at Lehigh University. Driscoll is also cofounder and former chair of the Critical Approaches to Hip Hop and Religion group at the American Academy of Religion. Much of his work attends to hip hop culture, including editing a 2011 special issue of the Bulletin for the Study of Religionon the topic, he is coauthor ofBreaking Bread, BreakingBeats: Churches and Hip Hop - A Guide to Key Issues(Fortress, 2014), and more. Driscoll is also author ofWhite Lies: Race & Uncertainty in the Twilight of American Religion(Routledge, 2015), and coauthor (with Monica R. Miller) ofMethod as Identity: Manufacturing Distance in theAcademic Study of Religion(Lexington, 2018). Monica R. Miller is Associate Professor of Religion, Africana Studies, and Director of Women, Gender, and Sexuality Studies at Lehigh University, USA. Miller is the author of Religion and Hip Hop (Routledge, 2012), The Hip Hop and Religion Reader, coedited with Anthony B. Pinn (Routledge, 2014), Religion in Hip Hop: Mapping the New Terrain in the US, coedited with Anthony B. Pinn and Bernard "Bun B" Freeman (Bloomsbury, 2015), Claiming Identity in the Study of Religion: Social and Rhetorical Techniques Examined ed. (Equinox, 2016), and Humanism in a Non-Humanist World ed. (Palgrave Macmillan) among other books, numerous essays, and book chapters on the topic. Miller is cofounder and current cochair of the Critical Approaches to hip hop and Religion group at the American Academy of Religion and has presented nationally on the topic over the past ten years. Anthony B. Pinn is Agnes Cullen Arnold Professor of Humanities and Professor of Religious Studies at Rice University. He is also the founding Director of Rice's Certer for Engaged Research and Collaborative Learning. Pinn is also the Director of Research for the Institute for Humanist Studies (Washington, DC). In addition to courses on African American religious thought, liberation theologies, and religious aesthetics, Pinn co-teaches with Bernard "Bun B" Freeman a popular course on religion and hip hop culture. The course received media coverage from a variety of outlets including MTV. He is the author/editor of over30 books, including Noise and Spirit: Rap Music's Religious and Spiritual Sensibilities (NYU Press, 2003); The Religion and Hip Hop Reader, coedited with Monica R. Miller (Routledge, 2014); and Religion in Hip Hop: Mapping the New Terrain in the US, coedited with Monica R. Miller and Bernard "Bun B" Freeman (Bloomsbury, 2015). 
588 0 |a Online resource; title from digital title page (viewed on October 22, 2019). 
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655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
700 1 |a Driscoll, Christopher M.,  |e editor.  |0 http://id.loc.gov/authorities/names/n2015032298 
700 1 |a Miller, Monica R.,  |d 1981-  |e editor.  |0 http://id.loc.gov/authorities/names/n2012017257 
700 1 |a Pinn, Anthony B.,  |e editor.  |0 http://id.loc.gov/authorities/names/n95044084 
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