Milk black carbon /
Milk Black Carbon works against the narratives of dispossession and survival that mark the contemporary experience of many Indigenous people, and Inuit in particular. In this collection, autobiographical details -- motherhood, marriage, extended family and its geographical context in the rapidly cha...
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| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Pittsburgh, Pa. :
University of Pittsburgh Press,
[2017]
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| Series: | Pitt poetry series.
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| Subjects: | |
| Online Access: | Connect to this title online (unlimited users allowed) |
MARC
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| 245 | 1 | 0 | |a Milk black carbon / |c Joan Naviyuk Kane. |
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| 505 | 0 | 0 | |t Irdin -- |t Salvage phase -- |t At bay -- |t All night long I am narrowing -- |t Headline news -- |t An other lethe -- |t Incognitum (in the Indian Hall) -- |t Exhibits from the Dark Museum -- |t Inunuaq -- |t The dolls -- |t Vanishing point -- |t Give or take a century -- |t Late successional -- |t Epithalamia -- |t Taktugziun -- |t Compass -- |t The incident light -- |t In its mouth -- |t Little air -- |t A few lines from Jordin Tootoo -- |t Update on J -- |t Glare in blue -- |t When the world was milk -- |t Song -- |t Assiraġia -- |t I am copying him -- |t Point transience -- |t Human heart toponymic -- |t Savak anmaiga / I opened the door -- |t Earnings statement -- |t Georgic -- |t Peripheral vision -- |t Stemmata -- |t The straits -- |t Held -- |t The mother of all -- |t Ugiuvak -- |t More dissipate -- |t Bone material -- |t The unnamed child -- |t A wall collapsed -- |t Up the mountain -- |t Aspirational phase -- |t Arboretum Americanum -- |t Metabole -- |t Hearth he burnt -- |t To live beyond. |
| 520 | |a Milk Black Carbon works against the narratives of dispossession and survival that mark the contemporary experience of many Indigenous people, and Inuit in particular. In this collection, autobiographical details -- motherhood, marriage, extended family and its geographical context in the rapidly changing Arctic -- negotiate arbitrary landscapes of our perplexing frontiers through fragmentation and interpretation of conventional lyric expectations. | ||
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