Building new banjos for an old-time world /
Banjo music possesses a unique power to evoke a bucolic, simpler past. The artisans who build banjos for old-time music stand at an unusual crossroads-asked to meet the modern musician's needs while retaining the nostalgic qualities so fundamental to the banjo's sound and mystique. Richard...
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Format: | Electronic eBook |
Language: | English |
Published: |
Urbana, Illinois :
University of Illinois Press,
2017.
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Series: | Folklore studies in a multicultural world.
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Subjects: | |
Online Access: | Connect to this title online (unlimited users allowed) |
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100 | 1 | |a Jones-Bamman, Richard, |d 1951- |e author. | |
245 | 1 | 0 | |a Building new banjos for an old-time world / |c Richard Jones-Bamman. |
264 | 1 | |a Urbana, Illinois : |b University of Illinois Press, |c 2017. | |
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490 | 1 | |a Folklore studies in a multicultural world | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction -- 1 A Brief History of the Banjo -- 2 The Old-Time Nation -- 3 God Is in the Details -- 4 An Homage to the Past -- 5 An Apprentice to Ghosts -- 6 The Banjoâ#x80;#x99;s Evolving Story -- Appendix 1. List of Interviewees -- Appendix 2. Banjo Builder Websites -- Notes -- Bibliography | |
520 | |a Banjo music possesses a unique power to evoke a bucolic, simpler past. The artisans who build banjos for old-time music stand at an unusual crossroads-asked to meet the modern musician's needs while retaining the nostalgic qualities so fundamental to the banjo's sound and mystique. Richard Jones-Bamman ventures into workshops and old-time music communities to explore how banjo builders practice their art. His interviews and long-time personal immersion in the musical culture shed light on long-overlooked aspects of banjo making. What is the banjo builder's role in the creation of a specific musical community? What techniques go into the styles of instruments they create? Jones-Bamman explores these questions and many others while sharing the ways an inescapable sense of the past undergirds the performance and enjoyment of old-time music. Along the way he reveals how antimodernism remains integral to the music's appeal and its making. He also delves into the omission of African Americans-the originators of the banjo-from both the instrument's popular history and the nostalgia engendered by the music, and the role contemporary banjo builders are playing to rectify this situation. Book jacket. | ||
588 | 0 | |a Print version record and CIP data provided by publisher. | |
650 | 0 | |a Banjo |x Construction. | |
650 | 0 | |a Banjo makers |z United States. | |
650 | 0 | |a Old-time music |x History and criticism. | |
650 | 0 | |a Banjo music |z United States |x History and criticism. | |
650 | 7 | |a MUSIC |x Musical Instruments |x Strings. |2 bisacsh | |
650 | 7 | |a MUSIC |x Musical Instruments |x General. |2 bisacsh | |
650 | 7 | |a Banjo |x Construction |2 fast | |
650 | 7 | |a Banjo makers |2 fast | |
650 | 7 | |a Banjo music |2 fast | |
650 | 7 | |a Old-time music |2 fast | |
651 | 7 | |a United States |2 fast | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
776 | 0 | 8 | |i Print version: |a Jones-Bamman, Richard, 1951- |t Building new banjos for an old-time world. |d Urbana, Illinois : University of Illinois Press, 2017 |z 9780252041303 |w (DLC) 2017011677 |
830 | 0 | |a Folklore studies in a multicultural world. | |
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