Sounding objects : musical instruments, poetry, and art in Renaissance France /

"In Sounding Objects, Carla Zecher studies the representation of musical instruments in French Renaissance poetry and art, arguing that the efficacy of these material objects as literary and pictorial images was derived from their physical characteristics and acoustic properties, as well as fro...

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Bibliographic Details
Main Author: Zecher, Carla, 1959- (Author)
Format: Electronic eBook
Language:English
Published: Toronto [Ontario] ; Buffalo [New York] : University of Toronto Press, [2007]
Subjects:
Online Access:Connect to this title online (unlimited users allowed)

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100 1 |a Zecher, Carla,  |d 1959-  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PBJvRY8MC4DDcKMHbFyYgKd 
245 1 0 |a Sounding objects :  |b musical instruments, poetry, and art in Renaissance France /  |c Carla Zecher. 
246 3 0 |a Musical instruments, poetry, and art in Renaissance France 
264 1 |a Toronto [Ontario] ;  |a Buffalo [New York] :  |b University of Toronto Press,  |c [2007] 
264 2 |a Ottawa, Ontario :  |b Canadian Electronic Library,  |c 2015. 
300 |a 1 online resource (x, 241 pages) :  |b illustrations, facsimiles 
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504 |a Includes bibliographical references (pages 213-230) and index. 
505 0 |a Introduction -- Of strings, trumpets, and the future of French poetry -- Musical rivalries -- Musical instruments, governance, and oratory -- The anatomy of the lute -- Epilogue. 
520 1 |a "In Sounding Objects, Carla Zecher studies the representation of musical instruments in French Renaissance poetry and art, arguing that the efficacy of these material objects as literary and pictorial images was derived from their physical characteristics and acoustic properties, as well as from their aesthetic product." "Sounding Objects is concerned with ways in which musical culture provided poets with a rich, nuanced vocabulary for reflecting on their own art and its roles in courtly life, the civic arena, and salon society. Poets not only depicted the world of musical practice but also appropriated it, using musical instruments figuratively to establish their literary identities. Drawing on music treatises and archival sources as well as poems, paintings, and engravings, this study aims to enrich our understanding of the interplay of poetry, music, and art in this period, and highlights the importance of musical materiality to Renaissance culture."--Jacket. 
648 7 |a 1500-1599  |2 fast 
650 0 |a French literature  |y 16th century  |x History and criticism. 
650 0 |a Music and literature. 
650 0 |a Musical instruments in art. 
650 7 |a MUSIC  |x General.  |2 bisacsh 
650 7 |a French literature  |2 fast 
650 7 |a Music and literature  |2 fast 
650 7 |a Musical instruments in art  |2 fast 
650 7 |a Musik  |2 gnd 
650 7 |a Renaissance  |2 gnd 
651 7 |a Frankreich  |2 gnd 
650 7 |a Musikinstrument  |z Frankreich  |y Geschichte 15. Jh.  |2 idsbb 
650 7 |a Musikinstrument  |z Frankreich  |y Geschichte 16. Jh.  |2 idsbb 
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650 7 |a Musik  |x Literatur  |z Frankreich  |y Geschichte 16. Jh.  |2 idsbb 
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650 7 |a Renaissance  |x Musikinstrument  |x Literatur  |x Kunst  |z Frankreich.  |2 idszbz 
650 7 |a Musikinstrument  |x Motiv (Literatur)  |z Frankreich  |x Geschichte  |y 1400-1600.  |2 idszbz 
650 7 |a Literatur  |x Motiv (Literatur)  |x Musikinstrument  |z Frankreich  |x Geschichte  |y 1400-1600.  |2 idszbz 
651 7 |a Frankreich  |x Musikinstrument  |x Literatur  |x Kunst  |x Geschichte  |y 1400-1600.  |2 idszbz 
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