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|2 23
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|a Williams, James Gordon,
|d 1970-
|e author.
|
| 245 |
1 |
0 |
|a Crossing bar lines :
|b the politics and practices of black musical space /
|c James Gordon Williams ; foreword by Robin D. G. Kelley.
|
| 264 |
|
1 |
|a Jackson :
|b University Press of Mississippi,
|c [2021]
|
| 300 |
|
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|a 1 online resource ( x, 181 pages) :
|b illustrations
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| 336 |
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|a text
|b txt
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|a Includes bibliographical references.
|
| 505 |
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|a Machine generated contents note:
|g 1.
|t Terence Blanchard and the Politics of Breathing --
|g 2.
|t Billy Higgins in the Zone: Brushwork, Breath, and Imagination --
|g 3.
|t Social Science Music of Terri Lyne Carrington --
|g 4.
|t Ambrose Akinmusire's Satchel of Origami --
|g 5.
|t Unified Fragmentation: Andrew Hill's Street Theory of Black Musical Space.
|
| 533 |
|
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|a Electronic reproduction.
|b New York
|n Available via World Wide Web.
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| 588 |
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|a Description based on online resource; title from digital title page (viewed on February 24, 2021).
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|a 2000-2099
|2 fast
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|a Jazz
|y 2001-2010
|x History and criticism.
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| 650 |
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|a Jazz
|y 2011-2020
|x History and criticism.
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| 650 |
|
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|a Jazz
|x Political aspects
|z United States
|x History
|y 21st century.
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| 650 |
|
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|a African Americans
|x Music
|y 21st century
|x History and criticism.
|
| 700 |
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|a Kelley, Robin D. G.,
|e writer of foreword.
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| 710 |
2 |
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|a JSTOR (Organization)
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|i Print version:
|a Williams, James Gordon, 1970-
|t Crossing bar lines
|d Jackson : University Press of Mississippi, 2021.
|z 9781496832108
|w (DLC) 2020042481
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