Motherhood and meaning in Medieval sculpture : representations from France, c.1100-1500 /

What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal experiences during their production. On...

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Bibliographic Details
Main Author: Bleeke, Marian (Author)
Format: Electronic eBook
Language:English
Published: Woodbridge, Suffolk ; Rochester, NY : The Boydell Press, [2017]
Series:Boydell studies in medieval art and architecture,
Subjects:
Online Access:Connect to this title online (unlimited users allowed)

MARC

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245 1 0 |a Motherhood and meaning in Medieval sculpture :  |b representations from France, c.1100-1500 /  |c Marian Bleeke. 
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504 |a Includes bibliographical references (pages 175-191) and index. 
505 0 0 |g 1.  |t Motherhood as Transformation: From IS Annunciation to Visitation at Reims --  |g 2.  |t Motherhood as Monstrosity: The Moissac Femme-aux-serpents and the Transi of Jeanne de Bourbon-Vendome --  |g 3.  |t Resurrecting Lazarus: The Eve from Saint-Lazare at Autun --  |g 4.  |t Visualizing Parturition: Devotional Sculptures of the Virgin and Child. 
520 8 |a What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal experiences during their production. Once produced, however, their beholders would have included women who were mothers and potential mothers, thus opening a space between the sculptures' intended meanings and other meanings liable to be produced by these women as they brought their own interests and concerns to these works of art. Building on theories of reception and response, this book focuses on interactions between women as beholders and a range of sculptures made in France in the twelfth through sixteenth centuries, aiming to provide insight into women's experiences of motherhood; particular sculptures considered include the Annunciation and Visitation from Reims cathedral, the femme-aux-serpents from Moissac, the transi of Jeanne de Bourbon-Vendome, the Eve from Autun, and a number of French Gothic Virgin and Child sculptures. 
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650 0 |a Mothers in art. 
650 0 |a Women in art. 
650 0 |a Motherhood  |z France  |x History  |y To 1500. 
650 7 |a History of art & design styles: c 1400 to c 1600.  |2 bicssc 
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650 7 |a Motherhood  |2 fast 
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651 7 |a France  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP 
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651 7 |a Frankreich  |2 gnd 
650 7 |a Sculpture, Medieval  |z France  |x Themes, motives.  |2 nli 
650 7 |a Mothers in art.  |2 nli 
650 7 |a Women in art.  |2 nli 
650 7 |0 (FrPBN)11933246  |a Sculpture médiévale  |0 (FrPBN)11931476  |z France  |0 (FrPBN)11975676  |x Thèmes, motifs.  |2 ram 
650 7 |0 (FrPBN)12647511  |a Maternité  |0 (FrPBN)11989609  |x Dans l'art.  |2 ram 
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655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Bleeke, Marian.  |t Motherhood and meaning in Medieval sculpture.  |d Woodbridge, Suffolk ; Rochester, NY : The Boydell Press, [2017]  |z 9781783272501  |w (DLC) 2017446082  |w (OCoLC)975367600 
830 0 |a Boydell studies in medieval art and architecture,  |x 2045-4902 
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