Race in young adult speculative fiction /

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Bibliographic Details
Corporate Author: JSTOR (Organization)
Other Authors: Gilbert-Hickey, Meghan (Editor), Green-Barteet, Miranda A. (Editor)
Format: Electronic eBook
Language:English
Published: Jackson : University Press of Mississippi, [2021]
Series:Children's Literature Association series.
Subjects:
Online Access:Connect to this title online (unlimited simultaneous users allowed)
Table of Contents:
  • IV. Racialized Identities
  • "Vine Head," "Snake Lady," "Swamp Witch": Racialized Othering in Nnedi Okorafor's Zahrah the Windseeker
  • Between "Castoff" and "Half-Man": Pressuring Mixed-Race Identity in The Drowned Cities
  • Black Girl Magic: Bioethics and the Reinvention of the Trope of the Mad Scientist in Black YA Speculative Fiction
  • Fore-fronting Race and Law: Ambelin Kwaymullina's The Interrogation of Ashala Wolf and Challenging the Expectations for Idealized Young Adult Heroines
  • Contributors
  • (De)Stabilizing the Boundaries between "Us" and "Them": Racial Oppression and Racism in Two YA Dystopias Available in Swedish.
  • Postracial Futures and Colorblind Ideology: The Cyborg as Racialized Metaphor in Marissa Meyer's Lunar Chronicles Series
  • III. Lineages of Whiteness
  • "'I've Connected with Them": Racial Stereotyping and White Appropriation in the Chaos Walking Trilogy
  • Asian Masculinity, Eurasian Identity, and Whiteness in Cassandra Clare's Infernal Devices Trilogy
  • Eugenics and the "Purity" of Memory Erasure: The Racial Coding of Dis/ability in the Divergent Series
  • Cover
  • RACE IN YOUNG ADULT SPECULATIVE FICTION
  • Title
  • Copyright
  • Dedication
  • Contents
  • Acknowledgments
  • Introduction
  • I. Defining Diversity
  • Blood Rules: Racial Passing and the Commodification of Difference in Victoria Aveyard's The Red Queen
  • The Fairy Race: Artemis Fowl, Gender, and Racial Hierarchies
  • Enchanting the Masses: Allegorical Diversity in Fairy-Tale Dystopias
  • II. Erasing Race
  • Neoliberalism's Erasure of Race in Young Adult Fiction: Sherri L. Smith's Orleans as Counterexample