Shakespeare's others in 21st-century European performance : The merchant of Venice and Othello

Shakespeare's others in 21st-century European performance : The merchant of Venice and Othello /

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Bibliographic Details
Corporate Author: ProQuest (Firm)
Other Authors: Sokolova, Boika (Editor), Valls-Russell, Janice (Editor)
Format: Electronic eBook
Language:English
Published: London, UK ; New York, NY : The Arden Shakespeare, 2022.
Series:Global Shakespeare inverted.
Subjects:
Shakespeare, William, > 1564-1616 > Stage history > Europe.
Shakespeare, William, > 1564-1616. > Othello > Adaptations > History and criticism.
Shakespeare, William, > 1564-1616. > Merchant of Venice > Adaptations > History and criticism.
Other (Philosophy) in literature.
Strangers in literature.
Ethnicity in literature.
Online Access:Connect to this title online (unlimited simultaneous users allowed; 325 uses per year)
Table of Contents:
  • Machine generated contents note: pt. ONE Relocating otherness: The Other-within
  • Induction 1 / Lawrence Guntner
  • 1. `Venice' is elsewhere: The Stranger's locality, or Italian `blackness' in twenty-first-century stagings of Othello / Anna Maria Cimitile
  • 2. Refracting the racial Other into the Other-within in two Bulgarian adaptations of Othello / Kirilka Stavreva
  • 3. Estranged strangers: Krzysztof Warlikowski's Shylock and Othello in African Tales after Shakespeare (2011) / Aleksandra Sakowska
  • 4. Drags, dyes and death in Venice: The Merchant of Venice (2004) and Othello (2012) in Belgrade, Serbia Zorica / Becanovic Nikolic
  • 5. Merchant of Venice in France (2001 and 2017): Deconstructing a malaise / Janice Valls-Russell
  • pt. TWO New nationalisms, migrants: Imperfect resolutions
  • Induction 2 / Lawrence Guntner
  • 6. `Barbarous temper', `hideous violence' and `mountainish inhumanity': Stage encounters with The Merchant of Venice in Romania / Nicoleta Cinpoes
  • 7. Staging The Merchant of Venice in Hungary: Politics, prejudice and languages of hatred / Natalia Pikli
  • 8. Dutch negotiations with otherness in times of crisis: Othello (2006) and The Arab of Amsterdam (2008) / Coen Heijes
  • 9. `Were I the Moor, I would not be Iago': Radical empathy in two Portuguese performances of Othello / Francesca Rayner
  • 10. tragedy? Othello and The Merchant of Venice in Germany during the 2015--16 refugee crisis / Bettina Boecker
  • pt. THREE Performative propositions
  • Induction 3 / Lawrence Guntner
  • 11. Merchant in Venice in the Venetian Ghetto (2016): Director Karin Coonrod in conversation / Kirilka Stavreva
  • 12. Inverting Othello in France (2019): Director Arnaud Churin in conversation / Janice Valls-Russell
  • 13. Migrant Othello (2020) in Bulgaria: Director Plamen Markov in conversation / Kirilka Stavreva.

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