The supermarket of the visible : toward a general economy of images /

The Supermarket of the Visible elaborates a political economy of the images that saturate our world. From the first elevators and escalators (tracking shots avant la lettre) to cinema (the great conductor of gazes), all the way down to contemporary eye-tracking techniques that monitor the slightest...

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Bibliographic Details
Main Author: Szendy, Peter (Author)
Other Authors: Plug, Jan (Translator)
Format: Electronic eBook
Language:English
French
Published: New York : Fordham University Press, 2019.
Edition:First edition.
Series:Thinking out loud (New York, N.Y.)
Subjects:
Online Access:Connect to this title online (unlimited users allowed)

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240 1 0 |a Supermarché du visible.  |l English 
245 1 4 |a The supermarket of the visible :  |b toward a general economy of images /  |c Peter Szendy ; translated by Jan Plug. 
250 |a First edition. 
264 1 |a New York :  |b Fordham University Press,  |c 2019. 
264 4 |c ©2019 
300 |a 1 online resource (viii, 161 pages) 
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490 1 |a Thinking out loud : the Sydney lectures in philosophy and society 
500 |a Translated from the French. 
504 |a Includes bibliographical references and index. 
505 0 |a Cover; The Supermarket of the Visible; Title; Copyright; CONTENTS; Sydney Lectures; 1. Money, or The Other Side of Images; 2. The Point of (No) Exchange, or The Debt-Image; 3. Innervation, or The Gaze of Capital; Additional Features; Merchandise: Godzilla's Eye; Deleted Scenes: Doors and Slide Changers in Pickpocket and Obsession; Deleted Scenes: Three Variations on Time and Money (Antonioni, De Palma, Bresson); Photo Gallery: Blow-Up, or Why There Are No Images; Locations: 23, rue Bénard, Paris, 75014; Deleted Scene: The Fluctuations of the Unchained Camera (L'Herbier) 
505 8 |a Deleted Scenes: The General Fetishism of the MarxesDeleted Scenes: The Amortization of the Gaze (King Kong); Formats: Surplus Definition (Redacted); Credits; Notes; Index; AUTHOR BIOS 
520 |a The Supermarket of the Visible elaborates a political economy of the images that saturate our world. From the first elevators and escalators (tracking shots avant la lettre) to cinema (the great conductor of gazes), all the way down to contemporary eye-tracking techniques that monitor the slightest saccades of our eyes, Peter Szendy offers an entirely novel theory of the intersection of visual culture and economics. 
546 |a Translated from the French. 
588 0 |a Online resource; title from digital title page (viewed on April 04, 2019). 
650 0 |a Motion pictures  |x Philosophy. 
650 0 |a Motion pictures  |x Economic aspects. 
650 0 |a Visual perception. 
650 0 |a Semiotics. 
650 2 |a Visual Perception 
650 7 |a visual perception.  |2 aat 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a Motion pictures  |x Economic aspects  |2 fast 
650 7 |a Motion pictures  |x Philosophy  |2 fast 
650 7 |a Semiotics  |2 fast 
650 7 |a Visual perception  |2 fast 
700 1 |a Plug, Jan,  |e translator. 
776 1 |c Original  |w (DLC) 2019932195 
830 0 |a Thinking out loud (New York, N.Y.) 
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