Shakespearean Tragedy and Gender /

"Shakespeare is not our contemporary, the contributors to Shakespearean Tragedy and Gender emphatically conclude--yet coping with his cultural influence is never a simple matter. Ranging from Shakespeare's earliest attempts at tragedy in Richard III and Titus Andronicus, this volume covers...

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Bibliographic Details
Other Authors: Sprengnether, Madelon, Garner, Shirley Nelson, 1935-
Format: Electronic eBook
Language:English
Published: Bloomington : Indiana University Press, 1996.
Series:Book collections on Project MUSE.
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Online Access:Connect to this title online (unlimited users allowed)

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245 0 0 |a Shakespearean Tragedy and Gender /  |c edited by Shirley Nelson Garner and Madelon Sprengnether. 
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505 0 0 |t Introduction: The Gendered subject of Shakespearean tragedy /  |r Madelon Sprengnether --  |g Part one: Tragic subjects. --  |t History into tragedy: the case of Richard III /  |r Phyllis Rackin --  |t A Woman of letters: Lavinia in Titus Andronicus /  |r Sara Eaton --  |t 'Documents in madness': reading madness and gender in Shakespeare's tragedies and early modern culture /  |r Carol Thomas Neely --  |t 'Born of woman': fantasies of maternal power in Macbeth /  |r Janet Adelman --  |t 'Magic of bounty': Timon of Athens, Jacobean patronage, and maternal power /  |r Coppelia Kahn  |g Part two: Implicating Othello. --  |t Desdemona's disposition /  |r Lena Cowen Orlin --  |t 'The Moor of Venice, ' or the Italian on the Renaissance English stage /  |r Margo Hendricks --  |t The Heroics of marriage in Othello and The Duchess of Malfi /  |r Mary Beth Rose  |g Part three: Shakespear our contemporary? --  |t The Fatal Cleopatra /  |r Carol Cook --  |t What's love got to do with it? Reading the liberal humanist romance in Antony and Cleopatra /  |r Linda Charnes --  |t Shakespeare in my time and place /  |r Shirley Nelson Garner --  |t Leaving Shakespeare /  |r Gayle Greene. 
504 |a Includes bibliographical references and index. 
520 |a "Shakespeare is not our contemporary, the contributors to Shakespearean Tragedy and Gender emphatically conclude--yet coping with his cultural influence is never a simple matter. Ranging from Shakespeare's earliest attempts at tragedy in Richard III and Titus Andronicus, this volume covers the major tragic period, giving special attention to Othello"--Back cover. 
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