From self-fulfillment to survival of the fittest : work in European cinema from the 1960s to the present /

Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1...

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Bibliographic Details
Main Author: Mazierska, Ewa (Author)
Format: Electronic eBook
Language:English
Published: [New York] : Berghahn, 2015.
Series:Berghahn on film
Subjects:
Online Access:Connect to this title online (unlimited users allowed)

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504 |a Includes bibliographical references and index. 
505 0 |a Introduction -- Homo faber and the work of cinema -- The 1960: in search of self-fulfilment -- The 1970s: seeking change -- The 1980s: learning to survive -- The 1990s, the 2000s and beyond: moving towards the unknown -- Conclusions towards the new cinema of work and idleness. 
520 |a Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1980s on the whole of Europe, albeit at an uneven speed, followed the neoliberal agenda. This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema. Using a Marxist perspective, it compares the situation of workers in Western and Eastern Europe as represented in both auteurist and popular films, including those of Tony Richardson, Lindsay Anderson, Jean-Luc Godard, Andrzej Wajda, DusanMakavejev, Jerzy Skolimowski, the Dardenne Brothers, Ulrich Seidl and many others. 
588 0 |a Online resource; title from digital title page (viewed on February 17, 2015). 
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650 7 |a Motion pictures  |2 fast 
650 7 |a Work in motion pictures  |2 fast 
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