Table of Contents:
  • Intro
  • Contents
  • Acknowledgments
  • Spinozist Alterity and British Romanticism
  • I. Oneness and Otherness in Spinozism
  • II. Immanent Ethics
  • Section I Corporeals: Embodied Egos
  • Chapter 1 Blake's Mythical Interval
  • I. The Restless Interval
  • II. Mapping and Coloring the World
  • III. Illuminating Works
  • IV. Blake's Choric Void
  • Chapter 2 Coleridge's Wilding
  • I. Spinoza's Infinite Perceptions as Absolute Unity
  • II. Tarrying in the Middle Realm
  • III. Coleridge's Schelling's Spinoza and the Biographia Literaria
  • IV. Intuiting Alterity
  • V. Gender in Effect
  • Section II Corporeals: Embodied Difference
  • Chapter 3 Barbauld's Sisters: Immanent Bodies
  • I. Barbauld's Expression
  • II. Radcliffe's Rapture, Wollstonecraft's Breath
  • III. Dorothy Wordsworth's Immanence
  • IV. Perceptual Bodies
  • V. Entre Nous?
  • Section III Incorporeals: Dream Visions and Nightmares
  • Chapter 4 Percy Shelley's Immanent Language
  • I. Life Writ Large
  • II. Disfiguration or Distortion?
  • III. Shelley's Speed
  • IV. Folding and Rhythm
  • Chapter 5 De Quincey's Eventful Dreams
  • I. Altered States
  • II. Displacing Wandering
  • III. Wandering in Limbo
  • IV. The Afterlife
  • Coda: Restorative Otherness
  • Section IV Corporeal Bias: Bodies as Incorporeals
  • Epilogue Immanence and Racial Alterity
  • Notes
  • Works Cited
  • Index