The fetters of rhyme : liberty and poetic form in early modern England /
"Long before the English fought a civil war over the meaning of liberty, poets were debating the benefits of constraint and the risks of bond-breaking. Early modern poets imagined rhyme as a band or fetter, and compared rhyme to the bonds that tie individuals to political, social, and religious...
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| Format: | Electronic eBook |
| Language: | English |
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Princeton, New Jersey :
Princeton University Press,
[2021]
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| Subjects: | |
| Online Access: | Connect to this title online (unlimited users allowed) |
MARC
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| 100 | 1 | |a Rush, Rebecca M., |d 1987- |e author. | |
| 245 | 1 | 4 | |a The fetters of rhyme : |b liberty and poetic form in early modern England / |c Rebecca M. Rush. |
| 264 | 1 | |a Princeton, New Jersey : |b Princeton University Press, |c [2021] | |
| 300 | |a 1 online resource (x, 284 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Sweet Be the Bands: Spenser and the Sonnet of Association -- Licentious Rhymers: Donne and the Late-Elizabethan Couplet Revival -- An Even and Unaltered Gait: Jonson and the Poetics of Character -- Rhyme Oft Times Over-Reaches Reason: Measure and Passion after the Civil War -- Milton and the Known Rules of Ancient Liberty. | |
| 520 | |a "Long before the English fought a civil war over the meaning of liberty, poets were debating the benefits of constraint and the risks of bond-breaking. Early modern poets imagined rhyme as a band or fetter, and compared rhyme to the bonds that tie individuals to political, social, and religious communities. Because they believed that verse forms reflected cosmic and political patterns, early modern authors maintained that formal choices were never ideologically neutral. The charged nature of early modern forms is particularly visible in the dynamic history of the couplet: In the 1590s, poets like John Donne took up the Chaucerian couplet to signal their sexual and political radicalism, but by the middle of the seventeenth century Royalist poets had co-opted the couplet as a tool for reinforcing affective ties to king and country"-- |c Provided by publisher | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on May 03, 2021). | |
| 648 | 7 | |a 1500-1700 |2 fast | |
| 650 | 0 | |a English poetry |y Early modern, 1500-1700 |x History and criticism. | |
| 650 | 0 | |a English language |x Rhyme. | |
| 650 | 0 | |a Poetics. | |
| 650 | 0 | |a Couplets, English |x History and criticism. | |
| 650 | 0 | |a Literature |x Philosophy. | |
| 650 | 7 | |a LITERARY CRITICISM |x Poetry. |2 bisacsh | |
| 650 | 7 | |a Literature |x Philosophy |2 fast | |
| 650 | 7 | |a Couplets, English |2 fast | |
| 650 | 7 | |a English language |x Rhyme |2 fast | |
| 650 | 7 | |a English poetry |x Early modern |2 fast | |
| 650 | 7 | |a Poetics |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Rush, Rebecca M., 1987- |t Fetters of rhyme. |d Princeton : Princeton University Press, 2021 |z 9780691212555 |w (DLC) 2020034537 |
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