New blood : critical approaches to contemporary horror /
The taste for horror is arguably as great today as it has ever been. Since the turn of the millennium, the horror genre has seen various developments emerging out of a range of contexts, from new industry paradigms and distribution practices to the advancement of subgenres that reflect new and evolv...
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| Other Authors: | , , |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cardiff :
University of Wales Press,
2020
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| Series: | Horror studies.
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| Subjects: | |
| Online Access: | Connect to this title online (unlimited users allowed) |
Table of Contents:
- Apprehension engines: the new independent 'prestige horror' / David Church
- Hardcore horror: challenging the discourses of 'extremity' / Steve Jones
- From midnight movies to mainstream excess: cult horror festivals and the academy
- A master of horror? The making and marketing of Takashi Miike's horror reputation / Joe Hickinbottom
- Bloody muscles on VHS: when Asia extreme met the video nasties / Jonathan Wroot
- Streaming Netflix original horror: Black Mirror, Stranger Things and datafied TV horror / Matt Hills
- The digital gothic and the mainstream horror genre: uncanny vernacular creativity and adaptation / Jessica Balanzategui
- Nazi horror, reanimated: rethinking subgenres and cycles / Abigail Whittall
- Digital witness: found footage and desktop horror as post-cinematic experience / Lindsay Hallam
- Revisiting the female monster: sex and monstrosity in contemporary body horror / Eddie Falvey
- The kids are alt-right: hardcore punk, subcultural violence and contemporary American politics in Jeremy Saulnier's Green Room / Thomas Joseph Watson
- Twenty-first-century Euro-snuff: a Serbian film for the family / Neil Jackson