Table of Contents: “…Michelangelo: the myth and the man -- Pietà -- The Giant -- Creation -- The Dead -- The End of Time -- Basilica.…”

Table of Contents: “…Cover; Michelangelo Red Antonioni Blue; Title; Copyright; To Bill Rothman, true line of sight; Contents; Plates; Acknowledgments; On the Images in This Book; Introduction; Beyond the Clouds; CARMEN AND SILVANO; A DIRECTOR IN PORTOFINO; CARLO, PATRIZIA, HER HUSBAND, AND HIS LOVER; NICCOLO IN AIX; BEYOND THE CLOUDS; Identification of a Woman; LOVE STORY; A CHANGE OF LIGHT; BLIND KNOWLEDGE; SCIENCE; ATTENTION; NEITHER NIGHT NOR DAY; THE MODERN SELF; BORED; IMPOSSIBLE EXPERIENCE; The Red Desert; RENT; MONSTROUS SCENERY; RED; GUILT; ABSTRACT; DOWN; ONE; TUTTI; PROGRESS.…”
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Table of Contents: “…GALILEO AS THE NEW MICHELANGELO --…”
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Table of Contents: “…Generation and ruination in the display of Michelangelo's Non-Finito /…”
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Table of Contents: “…The endless endings of Michelangelo Antonioni's films /…”
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Table of Contents: “…Reading theological context: a Marian interpretation of Michelangelo's Roman Pietà /…”
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Table of Contents: “…Introduction -- Against house arrest -- Digital impressions : writing memory after Agnes Varda -- Folding time : toward a new theory of montage -- Archiving disappearance : from Michelangelo Antonioni to new media.…”
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Table of Contents: “…The exhilaration of Italy -- A museum of memories : from Numancia to La Galatea -- At school with the ancients : Raphael -- The fourfold way : Raphael -- Textual terribilitá : Michelangelo -- The merchants of Trebizond : Luca Cambiaso -- Drawing decorum : Titian -- Dancing with giants : Philostratus -- A mannerist theophany, a cruel Teichoskopia : Pontormo and Parmigianino -- Dulcinea and the five maidens : Zeuxis -- Love's architecture : Giulio Romano -- The last enchantment.…”
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Table of Contents: “…; CHAPTER 1 1929: romantics and modernists on the cusp of sound; CHAPTER 2 The running man: Hitchcock's fugitives and The Bourne Ultimatum; CHAPTER 3 Running man 2: Carol Reed and his contemporaries; CHAPTER 4 David Lean: the troubled romantic and the end of empire; CHAPTER 5 The trauma film from romantic to modern: A Matter of Life and Death to Don't Look Now; CHAPTER 6 Joseph Losey and Michelangelo Antonioni: the expatriate eye and the parallax view.…”
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