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Table of Contents: “…Inheriting the Mask: A History of Parody in Trinidad's Carnival --…”
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Table of Contents: “…"Welcome to the Clickhole: The Economics of Internet Parody and Critique" /…”
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Table of Contents: “…"The Year of Jubilee Is Come": Metatextual Resonance in Antislavery Hymn Parodies /…”
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Table of Contents: “…"I'm evolving!" birds, beasts and parodies -- Confronting the serious side -- "On the contrary!" …”
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Table of Contents: “…Alternate Worlds; 9. Parody and Subversion; Afterword; Notes; References; Index.…”
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Table of Contents: “…The new media aristocrats: home theater and the film experience -- The contemporary cinephile: film collecting after the VCR -- Remembrance of films past: cable television and classic Hollywood cinema -- Once is not enough: the functions and pleasures of repeat viewings -- To infinity and beyond: the Web short, parody, and remediation -- Conclusion: of fortresses and film cultures.…”
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Table of Contents: “…Outing Officers: Queer Activism, Melodrama, and the Harden-Moltke Trial -- Disciplinary Abuses: From Military Secrecy to Sadism in the Army -- The Obscure Object of Desire: Uniform Fetishism, Male Prostitution, and German Soldiers -- Camping in His Own Private Militarism: Thomas Mann's Queer Art of Failure and the Fantasies of Military Service -- Perversions of Fantasy: Parody and the Left-Liberal Critique of German Militarism in Heinrich Mann's The Loyal Subject.…”
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Table of Contents: “…Money, music, and marketing: a few multinational companies dominate the music industry -- From Hendrix to Cobain: the drug culture of music -- Music and social issues: art form or soapbox? -- Parody and sampling: borrowing or stealing copyright? …”

Table of Contents: “…The Heroine's Stigma Part II: Representation/Presence: 3. The Politics of Parody; 4. The Politics of the Real Notes; Interviews and Works Cited; Index…”
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Table of Contents: “…The seduction of communism -- Paranoiac discourse and anti-communism -- Internal and external communism in popular film -- The individual Russian and the communist system -- Anti-communism and ambivalence in science-fiction -- Criminals and communists in fifties popular culture -- Anti-communism and movie serial -- Cold war parody -- Nuclear apocalypse and anti-communism -- Cold war confessions and the FBI plant -- Anti-communism and the business world -- The bean and the dragon : representatives of communism in early sixties American culture.…”

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Table of Contents: “…13 Sridevi, queen of farce: Comedy, performance and star persona in popular Hindi cinema Nandana Bose -- 14 The irresistible badness of Salman Khan Shohini Ghosh -- 15 Shah Rukh Khan starring as Shah Rukh Khan: Performance style, audience expectation and self-parody Charlie Henniker -- 16 The curious case of Katrina Kaif: NRI stardom and ethnicity in Bollywood Midath Hayder -- Index…”
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Table of Contents: “…Postmodernism(s) / Cristina Degli-Esposti -- The Player's parody of Hollywood: a different kind of suture / Cynthia Baron -- Intertextual maneuvers around the subaltern: Aladdin as a postmodern text / Marwan M. …”
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Table of Contents: “…Introduction: auteur directors, political dissent, and cultural critique / Josef Gugler -- Nabil Maleh: Syria's leopard (Syria) / Christa Salamandra -- Jocelyne Saab: a lifetime journey in search of freedom and beauty (Lebanon) / Dalia Said Mostafa -- Michel Khleifi: filmmaker of memory (Palestine) / Tim Kennedy -- Elia Suleiman: narrating negative space (Palestine) / Refqa Abu-Remaileh -- Youssef Chahine: devouring mimicries or juggling with self and other (Egypt) / Viola Shafik -- Daoud Abd El-Sayed: parody and borderline existence (Egypt) / Viola Shafik -- Yousry Nasrallah: the pursuit of autonomy in the Arab and European film markets (Egypt) / Benjamin Geer -- Mohamed Chouikh: from anticolonial commemoration to a cinema of contestation (Algeria) / Guy Austin -- Merzak Allouache: (self- )censorship, social critique, and the limits of political engagement in contemporary Algerian cinema (Algeria) / Will Higbee -- Nabil Ayouch: transgression, identity, and difference (Morocco) / Jonathan Smolin.…”
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