Table of Contents: “…Editor's note: about this collection -- Introduction: André Bazin meets the new media of the 1950s -- The ontology and language of television -- Television among the arts -- Television and society -- Television and cinema -- Cinerama and 3D -- Cinemascope -- Afterword: is cinema mortal?…”
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Table of Contents: “…Introduction: Andre Bazin meets the new media of the 1950s -- The ontology and language of television -- Television among the arts -- Television and society -- Television and cinema -- Cinerama and 3D -- Cinemascope -- Afterword: is cinema mortal?…”

Table of Contents: “…Discovering Cinema: Defense of the (New) Avant-Garde (L'écran français, December 21, 1948, and Cahiers du cinéma, March, 1952) -- Death on the Silver Screen (L'esprit, September, 1949) -- On Form and Matter, or the "Crisis" of Cinema (Almanach du théâtre et du cinéma, 1951) -- On the Subject of Rereleases (Cahiers du cinéma, September, 1951) -- Imaginary Man and the Magical Function of Cinema (France-observateur, September 13, 1956) -- Cinema and Commitment (L'esprit, April, 1957) -- The Question of James Dean (France-observateur, April 4, 1957) -- The Star System Lives On (France-observateur, August 1, 1957) -- Orson Welles Cannibalized (Cahiers du cinéma, October 1958) -- Reflections on Criticism (Cinéma 58, December, 1958) -- Interlude. André Bazin: One Character in Search of an Auteur (Cahiers du cinéma, May, 1957) -- Film Reviews and Criticism. …”

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Table of Contents: “…/ Malcolm Turvey -- The ontology of the photographic image / André Bazin -- The evolution of the language of cinema / André Bazin -- Rethinking Bazin : ontology and realist aesthetics / Daniel Morgan -- Classic debates. …”

Table of Contents: “…Displaced vision : the politics of realism in Kracauer and Kluge -- The rhetoric of madness in realist film theory -- Phenomenology, theology and 'physical reality' : the film theory realism of Siegfried Kracauer -- 'Montage, my fine care' : realism, surrealism and postmodernism after Bazin -- Multiple indexicality and multiple realism in Andre Bazin -- André Bazin, or the ambiguity of reality -- Realism is to think historically : overlapping elements in Lukácsian and Brechtian theories of realism -- The moving-image redemption of orality and Lukács's early writing on the cinema -- The 'naturalist' treatment in The specificity of the aesthetics (Georg Lukács, 1963) and One day in the life of Ivan Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970) -- The documentary version of film history -- The Grierson testament, 1969-71 -- John Grierson : from the poster movement to the international state.…”
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Table of Contents: “…Montage Eisenstein: Mind the Gap; 7. André Bazin's Film Theory and the History of Ideas; 8. …”
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Table of Contents: “…; Mythology and Truth; On Soviet and European Cinema; Jean Vigo: Zéro de Conduite; Eisenstein's Thinking; The Other Side of Jean Renoir; The Ideology of Metropolis; A Religious Adventure; The Critic André Bazin; Battleship Potemkin and October; Cinema and Prostitution; Revolution, Cinema and Love; Part III: National Cinema; Introduction; On Brazilian Cinema; Mauro and Two Other Great Directors; The Good and the Bad in Khouri; Compensated Nudity; A Healthy Orgy; On the Banks of Ipiranga.…”
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Table of Contents: “…I missed it at the movies: objections to "Raising Kane" -- The voice and the eye: a commentary on the Heart or darkness script -- Notes on a conversation with Welles -- First impressions of F for fake -- The butterfly and the whale: Orson Welles's F for fake -- Prime cut (the 107-minute Touch of evil) -- André Bazin and the politics of sound in Touch of evil -- The invisible Orson Welles: a first inventory -- Reviews of biographies by Barbara Leaming and Charles Higham and a critical edition of Touch of evil -- Afterword to The big brass ring, a screenplay by Orson Welles (with Oja Kodar) -- Wellesian: Quixote in a trashcan (New York University Welles Conference) -- Reviews of Citizen Welles and a critical edition of Chimes at midnight -- Review of Orson Welles: A bio-bibliography -- Orson Welles's essay films and documentary fictions: a two-part speculation -- The seven Arkadins -- Othello goes Hollywood -- Truth and consequence: On it's all true: based on an unfinished film by Orson Welles -- Afterword to The cradle will rock, an original screenplay by Orson Welles -- Orson Welles in the U.S.: an exchange with Bill Krohn -- The battle over Orson Welles -- Touch of evil retouched -- Excerpt from "Problems of access: on the trail of some festival films and filmmakers" (On touch of evil) -- Welles in the lime light: The third man -- Orson Welles as ideological challenge -- Orson Welles's purloined letter: F for fake -- When will -- and how can -- we finish Orson Welles's Don Quixote?…”
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