Table of Contents: “…Epley and Michelle White -- Barnett Newman's Studio, 35 White Street, New York, 1970 -- Barnett Newman's immortal air, 1965-70 / Michelle White -- "So much mud": response and interplay between artist and material in the late paintings of Barnett Newman / Bradford A. …”

Table of Contents: “…Friedman, and Allan Stone -- Barnett Newman: writing painting / painting writing / Mel Bochner -- Newman's laterality / Yve-Alain Bois -- Barnett Newman's "Stations of the cross" and the Memory of the Holocaust / Mark Godfrey -- Barnett Newman's pilgrimage in paint / Carol Mancusi-Ungaro -- Intuition and incidents: The paintings of Barnett Newman / Suzanne Penn -- The proper name of Newman's zip / Sarah K. …”

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Table of Contents: “…Theological Imagination: The Paintings of Jackson Pollock and Barnett Newman /…”
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Table of Contents: “…Kleistian Sublime Is Now: Kazimir Malevich, Mark Rothko, Barnett Newman --…”
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Table of Contents: Connect to this title online (unlimited users allowed)

Table of Contents: “…Childhood -- First encounters with music and art -- Early days of curating: jazz and Syndell Studio -- The Ferus Gallery -- Wallace Berman -- The creation of Ferus II -- Barnett Newman -- Ferus II and John Altoon -- Edwin Janss -- Frank Stella and Andy Warhol -- Edward Kienholz -- The Pasadena Art Museum -- Marcel Duchamp -- The Pasadena Art Museum II -- The 1965 São Paulo Bienal -- Frank Lobdell and Joseph Cornell -- Leaving Pasadena, and the Institute of Policy Studies -- The Corcoran Gallery of Art -- Three photographers -- The 1972 Venice Biennale -- The National Collection of Fine Arts -- Robert Rauschenberg -- The Menil Collection.…”

Table of Contents: “…Walt Whitman and early twentieth-century American art -- American landscape painting and national identity: the Stieglitz circle and Emerson -- The silent witness of Edward Hopper -- American art and national identity: the 1920s -- The beginnings of "The American wave" and the Depression -- Grant Wood revisited -- The relevancy of Curry's paintings of Black freedom -- Thomas Hart Benton and the left -- The Emersonian presence in abstract expressionism -- American art around 1960 and the loss of self -- Pearlstein's people -- Robert Morris's latest works: slouching toward Armageddon -- A ramble around early earth works -- Reflections on/of Richard Estes -- Ben Shahn's postwar Jewish paintings -- Barnett Newman's stripe paintings and Kabbalah: a Jewish take -- Postscript: another kind of canon.…”

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Table of Contents: “…My painting / Jackson Pollock -- The romantics were prompted ; Two statements from The tiger's eye / Mark Rothko -- The first man was an artist ; The sublime is now ; Ohio, 1949 / Barnett Newman -- Art of this century / Peggy Guggenheim -- (from) The amazing and invariable Beauford Delaney / Henry Miller -- Introduction to Helen Levitt's A way of seeing / James Agee -- Journals, 1948-50 / Charles Burchfield -- Mondrian, kleenex, and you / Robert M. …”