“…Barry Lyndon.…”

“…Memoirs of Barry Lyndon…”

“…Barry Lyndon…”

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Subjects: “…Thackeray, William Makepeace, 1811-1863. Barry Lyndon. http://id.loc.gov/authorities/names/n97100063…”

“…Memoirs of Barry Lyndon, esq. written by himself; Denis Duval…”

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Table of Contents: “…"At What Point This Ambition Transgresses the Boundary of Virtue": From Thackeray's Barry Lyndon to Vanity Fair --…”
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Table of Contents: “…You Can Talk for Hours about a Thing with Stanley: Barry Lyndon --…”
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Table of Contents: “…1 Towards a Politics of Now-Time: Reading Hoop Dreams with Stanley Kubrick's Barry Lyndon; 2 Narrating the Nation, Unwelcoming the Stranger; 3 The Politics of Globalization; Value Eruptions and Modalities: 4 The Politics of Masculinity.…”
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Table of Contents: “…The history of Samuel Titmarsh and the great Hoggarty diamond ; Men's wives ; The book of snobs -- v. 8. The memoirs of Barry Lyndon, Esq. ; and, Denis Duval -- v. 9-10. The Newcomes -- v. 11. …”

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Table of Contents: “…4 Male Sexuality and Homosexuality II: Barry Lyndon, A Clockwork Orange, Eyes Wide Shut, The Shining -- Homosexuals in History -- Resucked -- Where the Rainbow Ends -- Kubrick's Apparitional Homosexuals -- 5 His Fundamental Core: Full Metal Jacket -- Head Like a Hole -- Field- Fuck -- "This Is for Fighting! …”
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Table of Contents: “…Editing choreography in an autobiographical musical : All that jazz -- The ultimate period film : Barry Lyndon -- The origin of the creative jump cut : Breathless -- Surrealism David Lynch style : Eraserhead -- Non-fiction, diary, essay filmmaking, and editing as a magician's tool : F for fake -- Remakes : The flight of the Phoenix (1964), Flight of the Phoenix -- The documentary as an investigative tool : Gimme shelter -- Time and space : Hiroshima mon amour -- Fantasy as reality : King Kong -- Destruction of the well-made Hollywood movie : The last movie -- The adult film as art film : The lickerish quartet -- Birth of the independent cinema : Little fugitive -- Parallel storytelling, character connections : Magnolia -- Mental state as narrative : Memento -- Teamwork on and off the screen : Our daily bread -- Tempo, content, and directorial style : Pickpocket -- Non-linear structure : Pulp fiction -- The camera as instigator : Seconds -- The graphic novel comes cinematically alive : Sin city -- The perfect silent film : Sunrise -- Tatami camera style : Tokyo story -- The tall tale : The treasure of the Sierra Madre -- The essential road movie : Two-lane blacktop -- The 42 minute and 56 second shot : Wavelength -- Stranger in a strange land : exploring the possibilities of the detective film : Witness.…”