Table of Contents: “…Classical radar theory -- 4.1 The radar equation -- 4.2 Maximum detection range -- 4.3 Radar jamming -- 4.4 The radar cross section -- 4.5 Scattering regimes -- 4.6 The radar X-band -- 4.7 Scattering mechanisms -- 4.8 Specular and end-region returns -- 4.8.1 Spherical target -- 4.8.2 Rectangular target -- 4.8.3 Geometry, frequency, and sidelobes -- 4.9 Energy conservation in the optical regime -- 4.10 Radar as an information channel -- 4.11 Summary.…”
Connect to this title online

Connect to this title online (unlimited simultaneous users allowed; 325 uses per year)

Table of Contents: “…122 -- Baudrillard, Jean 86-7 -- Baywatch 60 -- Benjamin, Walter 6 -- Between The Lines -- 4 -- 33-9 -- Beverly Hills 90210 -- Bill, The 36 -- Billig, Michael 102 -- Bird, John 128 -- Black and Blue 4 -- Blackadder 8 -- Bladerunner 13 -- Blair, Tony 13 -- Brass Eye 127 -- Brecht, Bertold 41-3 -- Bremner, Rory -- 128 -- 132-3 -- British Broadcasting Corporation -- 3 -- 12-13 -- Broomfield, Nick 146 -- Brunt, Rosalind 73 -- Bryden, Bill 110-11 -- Cahiers du Cinema 109-10 -- capitalism 2 -- Carroll, Noel 153 -- Cassidy, Seamus 128 -- Catholic 98-9 -- Cathy Come Home 22 -- Channel Four 3 -- class 17 -- Cold Lazarus 3 -- Corner, John 94 -- Country 45 -- Coward, Ros 75 -- Cracker 4 -- Craig, Cairns 107 -- Crisell, Andrew 78 -- Curtis, Liz 92 -- Days of Hope 41 -- Death of A Nation 151 -- Death On The Rock 135 -- Derrida, Jacques 171-2 -- documentary -- 9-11 -- 145-58 -- Drew, Robert 157 -- Drifters 96 -- Eagleton, Terry 53 -- Eastenders 42 -- Eisenstein, Sergei 96 -- Ellis, John 75 -- Empire 18 -- Ethnicity 32 -- Eurotrash 163 -- Falk, Pasi 160 -- Family, The 149 -- Fanon, Franz 7 -- Fiske, John 93 -- form 17 -- Fortune, John 128-29 -- Foucault, Michel 52 -- Four Weddings and a Funeral 112 -- Freud, Sigmund 162 -- Full Monty, The 5 -- Garnett, Tony 23 -- gender -- 32-3 -- [and sexuality] 50-7 -- [and sexuality] 50-7 -- [and sexuality] 58-71 -- [and sexuality] 58-71 -- genre 23-4 -- Glasgow -- 108 -- 116-18 -- God's Gift 63-5 -- Grade, Michael 3 -- Graef, Roger 149 -- Gramsci, Antonio -- 11 -- 116 -- Grand, The 5 -- Gray, Alasdair 117 -- Grierson, John -- 96-7 -- 148 -- Griffiths, Trevor 45 -- Grigsby, Michael 7 -- Hall, Stuart 101-2 -- Hardy, Jeremy -- 130 -- 143 -- Hartley, John 93 -- Have I Got News For You -- 127 -- 132 -- Hill Street Blues 34 -- Hislop, Ian 128 -- Hobsbawm, Eric 19.…”
Connect to this title online (unlimited users allowed)

Connect to this title online (unlimited simultaneous users allowed; 325 uses per year)

Connect to this title online (unlimited simultaneous users allowed; 325 uses per year)

Table of Contents: “…Activist Cinema in the 1970s (France) -- Adbusters Media Foundation (Canada) -- Adivasi Movement Media (India) -- Advocate, The (United States) -- Al-Jazeera as Global Alternative News Source (Qatar/Transnational) -- Alliance for Community Media (United States) -- Alternative Comics (United States) -- Alternative Information Center (Israel and Palestine) -- Alternative Local Press (United Kingdom) -- Alternative Media -- Alternative Media (Malaysia) -- Alternative Media at Political Summits -- Alternative Media Center (United States) -- Alternative Media Global Project -- Alternative Media Heritage in Latin America -- Alternative Media in the World Social Forum -- Alternative Media: Policy Issues -- AlterNet (United States) -- Anarchist and Libertarian Media, 1945-2010 (Federal Germany) -- Anarchist and Libertarian Press, 1945-1990 (Eastern Germany) -- Anarchist Media -- ANCLA Clandestine News Agency (Argentina) -- Angry Buddhist Monk Phenomenon (southeast Asia) -- Ankara Trash-Sorters' Media (Turkey) -- Anti-Anticommunist Media Under McCarthyism (United States) -- Anticolonial Press (British Colonial Africa) -- Anti-Fascist Media, 1922-1945 (Italy) -- Appalshop (united States) -- Arab Bloggers as Citizen Journalists (Transnational) -- Audiocassettes and Political Critique (Kenya) -- Ballyhoo Magazine (United States) -- Barbie Liberation Organization (United States) -- Barricada TV (Argentina) -- Beheading Videos (Iraq/Transnational) -- Belle de Jour Blog (United Kingdom) -- Berber Video-Films (Morocco) -- Bhangra, Resistance, and Rituals (South Asia/Transnational) -- BİA Independent Communication Network (Turkey) -- Black Atlantic Liberation Media (Transnational) -- Black Exploitation Cinema (United States) -- Black Press (United States) -- Bloggers Under Occupation 2003- (Iraq) -- Boxer Rebellion Theater (China) -- Center for Digital Storytelling (United States) -- Challenge for Change Film Movement (Canada) -- Channel Four TV and Underground Radio (Taiwan) -- Chipko Environmental Movement Media (India) -- Christian Radio (United States) -- Church of Life After Shopping (United States) -- Cine Insurgente/Rebel Cinema (Argentina) -- Citizen Journalism -- Citizens' Media -- Communist Movement Media, 1950s-1960s (Hong Kong) -- Community Broadcasting (Canada) -- Community Broadcasting Audiences (Australia) -- Community Media (Venezuela) -- Community Media and the Third Sector -- Community Radio (Haïti) -- Community Radio (Ireland) -- Community Radio (Sri Lanka) -- Community Radio and Natural Disasters (Indonesia) -- Community Radio and podcasting (United States) -- Community Radio in Pau da Lima (Brasil) -- Community Radio Movement (India) -- Community Radio Stations (Brasil) -- Copyleft -- COR TV, 2006, Oaxaca (México) -- Creative Commons -- Cultural Front (Canada) -- Culture Jamming -- Dalit Movement Media (India) -- Dance as Social Activism (South Asia) -- Dangwai Magazines (Taiwan) -- December 2008 Revolt Media (Greece) -- Deep Dish TV (United States) -- Democracy Now! …”
Connect to this title online