View this video online

Table of Contents: View Table of contents

Table of Contents: “…I missed it at the movies: objections to "Raising Kane" -- The voice and the eye: a commentary on the Heart or darkness script -- Notes on a conversation with Welles -- First impressions of F for fake -- The butterfly and the whale: Orson Welles's F for fake -- Prime cut (the 107-minute Touch of evil) -- André Bazin and the politics of sound in Touch of evil -- The invisible Orson Welles: a first inventory -- Reviews of biographies by Barbara Leaming and Charles Higham and a critical edition of Touch of evil -- Afterword to The big brass ring, a screenplay by Orson Welles (with Oja Kodar) -- Wellesian: Quixote in a trashcan (New York University Welles Conference) -- Reviews of Citizen Welles and a critical edition of Chimes at midnight -- Review of Orson Welles: A bio-bibliography -- Orson Welles's essay films and documentary fictions: a two-part speculation -- The seven Arkadins -- Othello goes Hollywood -- Truth and consequence: On it's all true: based on an unfinished film by Orson Welles -- Afterword to The cradle will rock, an original screenplay by Orson Welles -- Orson Welles in the U.S.: an exchange with Bill Krohn -- The battle over Orson Welles -- Touch of evil retouched -- Excerpt from "Problems of access: on the trail of some festival films and filmmakers" (On touch of evil) -- Welles in the lime light: The third man -- Orson Welles as ideological challenge -- Orson Welles's purloined letter: F for fake -- When will -- and how can -- we finish Orson Welles's Don Quixote?…”
Connect to this title online (unlimited users allowed)

Table of Contents: “…Touch of evil (1958) ; and Chimes at midnight (1965) -- The fifty-fifth film -- A second fifty-four.…”