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“…Background for Domenico Scarlatti, 1685-1757…”

Table of Contents: “…Domenico Scarlatti the interesting historical figure -- Panorama -- Heteroglossia -- Syntax -- Irritations -- 'Una Genuina Msica de Tecla' -- Formal Dynamic.…”

Table of Contents:

Table of Contents: “…Marshall -- French masters / Mark Kroll -- Domenico Scarlatti / Frederick Hammond -- Carl Philipp Emanuel Bach / David Schulenberg -- Johann Christian Bach and the early classical Italian masters / Daniel E. …”

Table of Contents: “…Bartolomeo Cristofori -- Giving Cristofori's nuovo cimbalo a name: terminology problems throughout the eighteenth century -- Domenico Scarlatti -- New inventions in Germany, pantalone instruments, and Gottfried Silbermann -- Johann Sebastian Bach and the "piano et forte" -- Pianoforte builders in Germany around 1750 -- The generation of Bach's older sons -- From Alberti, Platti, and Rutini to Eckard and the younger sons of Bach -- Developments in the second half of the century: Johann Andreas Stein and Sebastien Erard -- Joseph Haydn-Wenzel and Johann Schantz, young Mozart and Nannette Stein -- Anton Walter and Wolfgang Amadeus Mozart -- From Broadwood, Merlin, and Clementi to Beethoven -- Epilogue -- Appendix: Scipione Maffei's article of 1711.…”
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Table of Contents: “…Sutherland -- Carrousel music at the court of Louis XIV / Caldwell Titcomb -- Moll Davis, first Lady of English opera / Henry Leland Clarke -- Musical symbolism in the vocal works of Johann Pachelbel / Henry Woodward -- The ritornello forms in Bach's catechism chorale preludes / Robert S. Tangeman -- Domenico Scarlatti's choral music / Ralph Kirkpatrick -- Some works falsely ascribed to Friedemann Bach / George Benson Weston -- A neglected work in Beethoven's choral music : the funeral cantata / Elliot Forbes -- Hindemith's "Frau Musica" : th versions of 1928 and 1943 compared / William Austin -- Thoughts on the chordal concept / Walter Piston -- Problems of choral texture in the twentieth century / Harold C. …”

Table of Contents: “…Handel, Opus 6'; Alison Brackenbury: 'Writing Rinaldo'; John Byrom: Epigram; Domenico Scarlatti (1685-1757).…”
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Table of Contents: “…Introit, Gaudeamus omnes / Gregorian chant -- Motet : O miranda dei karitas--Salve mater salutifer--Kyrie / Anonymous -- Kyrie from messe de Notre Dame / Guillaume De Machaut -- Alma redemptoris mater / Guillaume Dufay -- Déploration sur la mort de Johan Okeghem ; Scaramella ; Agnus Dei from Missa L'Homme armé (sexti toni) / Josquin Des Prez -- Il bianco cigno / Jacob Arcadelt -- Sanctus from Missa ascendo ad patrem / Giovanni Pierluigi da Palestrina -- Introduction and first motet [Sybilla Persica] from Prophetiae sibyllarum / Orlando di Lasso -- Sing we and chant it / Thomas Morley -- Nunc dimittis / Giovanni Gabrieli -- Scene from Orfeo [Tu se' morta] / Claudio Monteverdi -- As Vesta was descending / Thomas Weelkes -- Saul / Heinrich Schütz -- Trio sonata, op. 4, no. 1 / Arcangelo Corelli -- Dido's lament from Dido and Aeneas / Henry Purcell -- Concerto grosso in D minor, op. 3, no. 11 / Antonio Vivaldi -- Excerpts from Messiah : Overture ; Comfort ye ; Ev'ry valley ; For unto us a child is born ; Hallelujah / George Frideric Handel -- Organ fugue in G minor (Little) ; Brandenburg concerto no. 2 in F major ; Air and gugue from suite no. 2 in D major ; Cantata no. 140 : Wachet auf / Johann Sebastian Bach -- Sonata in C minor, K. 12 / Domenico Scarlatti -- Che farò senza Euridice?, from Orfeo ed Euridice / Christoph Willibald Gluck -- Symphony no. 94 in G major (Surprise) / Joseph Haydn -- Eine kleine nachtmusik ; Excerts from Don Giovanni. …”