Table of Contents: “…Application for a Guggenheim Fellowship /…”
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Table of Contents: “…Powell III -- Introduction / Sarah Greenough -- Zurich to New York, 1924-1954 -- Guggenheim Fellowship, 1955-1957 -- Americans, 1958-1959 -- Destroying The Americans, 1960-2008 -- Acknowledgments / Sarah Greenough.…”

Table of Contents: “…Cover; Contents; Preface; Abbreviations; Frye's Abbreviations for Titles of Shakespeare's Plays and Poems; Introduction; Published and Forthcoming Notebooks; Part I; Guggenheim Fellowship Application, 1949; Notes 60-1; Notebook 43; Notes 55-6; Part II; Notebook 8; Notebook 9; Notebook 13a; Notes 54-13; Notes 58-5; Notebook 29; Notes 58-7; Part III; Notebook 13b; Notebook 14b; Notes 58-6; Appendix: Frye's Books and Articles on Shakespeare and Drama; Notes; Index.…”
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Table of Contents: “…Media : The materials of the artist, 1935 / by Max Doerner -- Current exhibitions : abstract painting in America, 1935 -- In America you feel, 1935-36 -- An expression of emotion that cannot be put into words, 1935-36 -- The concept is primary, 1938-39 -- The architect should be able to judge, 1939-40 -- Modern sculpture and society, 1939-40 -- Abstract art in America, 1940 -- Medals for dishonor, responses to questions from Elizabeth McCausland, 1940 -- Sculpture : art forms in architecture-new techniques affect both, 1940 -- Medals for dishonor, 1940 -- The recurrences of totemism, c. 1945 -- The visual arts, 1945 -- I have erected a solid, c. 1945 -- A river mts, c. 1945 -- The sculpture produces an environment, c. 1945 -- To keep from becoming enslaved, c. 1945 -- The technique, brushstrokes, chisel marks, c. 1946 -- Landscape fish clouds, 1946-47 -- The question-what is your hope, c. 1947 -- One of the early impressions, c. 1947 -- Lecture, Skidmore College, 1947 -- The landscape, spectres are, sculpture Is, 1947 -- Design for progress-cockfight, 1947 -- The sculptor's relationship to the museum, dealer, and public, 1947 -- The golden eagle-a recital; Robinhood's Barn, 1948 -- Foreword, Dorothy Dehner : drawings, paintings, 1948 -- Report for interim week, 1950 -- Statement, Herald Tribune Forum, 1950 -- Sculpture hopes to be, 1950 -- Notes on books, 1950 -- The question-what are your influences, 1950 -- Autobiographical notes, 1950 -- What I believe about the teaching of sculpture, 1950 -- The flight paths of birds moths insects, 1950-51 -- Notes-watch a torn sheet, c. 1951 -- What happens to barnyard grass, 1951 -- Foreword (apology of a juryman), 1951 -- Notes on seven sculptures, 1951 -- Progress report and application for renewal of Guggenheim Fellowship, 1951 -- And so this being the happiest-is disappointing, 1951 -- Notes for Elaine de Kooning, 1951 -- The joint is foul with smoke, 1951 -- Sketchbook notes : The red of rust; The metaphor of a symbol; The position for vision; Reading, 1951-52 -- Sketchbook notes : Music; The cloud; Space; And in the best of squares, 1951-52 -- Lecture, Williams College, 1951 -- Problems of the contemporary sculptor, 1952 -- The language is image, 1952 -- The new sculpture, 1952 -- Atmosphere of early '30s, 1952 -- A head is a drawing, c. 1952 -- The modern sculptor and his materials, 1952 -- I have seen some critics, 1952 -- Lecture, Skowhegan School of Painting and Sculpture, 1952 -- Lecture, Fourth Annual Woodstock Art Conference, 1952 -- Relative to Tanktotem I (Pouring), 1952 -- How far away from imitation of reality, 1952 -- Statement, WNYC Radio, 1952 -- Who is the artist?…”

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