“…Rainer Werner Fassbinder's The marriage of Maria Braun, Veronika Voss, Lola…”

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Table of Contents: “…Affects in Configuration : Controversy and Conviviality in Fatih Akın's The Edge of Heaven and Asghar Farhadi's A Separation -- Critical Intensity : Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices -- Genre Assemblages : Affective Incisions in Akın's The Cut and Ari Kaurismäki's Refugee Trilogy -- Tenderly Cruel Realisms: Objectfull Assembly and the Horizon of a Shared World -- Epilogue : Reconfiguring Resistance.…”
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Table of Contents: “…: history, femininity, and the law in 1950s and 1980s British cinema / Marcia Landy -- The presence of the past: Rainer Werner Fassbinder's The marriage of Maria Braun / Anton Kaes -- Schindler's list is not Shoah: the second commandment, popular modernism, and public memory / Miriam Bratu Hansen -- Walker and Mississippi burning: postmodernism versus illusionist narrative / Sumiko Higashi -- Empire as myth and memory / Naomi Greene -- Black god, white devil: the representation of history / Ismail Xavier -- Official history, popular memory: reconfiguration of the African past in the films of Ousmane Sembène / Mbye Cham -- Information, crisis, catastrophe / Mary Ann Doane -- History, the eternal rerun: on Crime story / Richard Dienst -- History on television: the making of Cold War, 1998 / Taylor Downing -- Ken Burns's rebirth of a nation: television, narrative, and popular history / Gary Edgerton -- Interrotroning history: Errol Morris and the documentary of the future / Shawn Rosenheim.…”

Table of Contents: “…-- Part I-Technical prehistory and theoretical approaches -- The third image: contingencies and ruptures in the technological history of television -- Boredom, war, and paradox: German theories of television -- Part II-GDR television -- "Just like in the west, except different": television and its relationship to film in the context of 1950s GDR development -- Adventures in stagnation: Gottfried Kolditz's unfilmed project Zimtpiraten -- Part III-Television in the federal republic: auteurist TV -- "A challenge, maybe the greatest for a filmaker": televisual perspectives on Rainer Werner Fassbinder's Martha (1974) -- Nah am fern: kluge TV -- Part IV-Present and future perspectives -- Television history in Germany: media-political and media-ethical aspects -- Germany as TV show import market -- Heritage, heimat, and German historical "event television": Nico Hofmann's teamWorx -- Once upon a crime: tatort, Germany's longest running police procedural.…”
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Table of Contents: “…Eisenstein, Bella Figura, and Formal Deflagration -- Anti-Bodies: Instances of the Classical Body in the Work of Jean Genet, Rainer Werner Fassbinder, and Gus Van Sant -- Short-Circuit: Michael Cimino's Heaven's Gate -- Part 3: New Abstractions in Figurative Invention. -- The Contemporary Character -- The Being According to the Image: Orson Welles's Citizen Kane -- "Cause it sounds more French": On a Secondary Character in Maurice Pialat's Police -- Theft: Robert Bresson's Pickpocket -- Part 4: Summonses: Figures of the Actor. -- The Actor as Affective Citizen -- Lassie, Unfaithful to Dogs: Fred M. …”
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