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Table of Contents: “…Black Market and the Stolen Children of Franco in Demonios en el jardin --…”
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Table of Contents: “…A moment and a country -- Realism and neorealism -- Literary neorealism : narration and testimony -- Rossellini's cities of war and resistance -- Wandering among De Sica's urbanites : shoeshiners, bicycle thieves, miraculous outcasts and a man with a dog -- Visconti's worlds of aestheticism and ideology : between tradition and invention, from country to city -- Faces and spaces of neorealism : from dystopian cities to utopian countries -- The journey beyond neorealism : streetwalkers, political rebels, anti-mafia resisters, stolen children and unwanted citizens.…”
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Table of Contents: “…Part one: "The prison-house of bondage" -- Last captives -- Old heads -- Stolen children -- Prime hands -- Freedom seekers -- Pikins -- John Brown's "men" -- Part two: The proving ground of freedom -- "Gun shoot at Bay Point" -- Broken promises -- Beaufort's boatmen -- Two of us -- Forever free -- Part three: The Combahee River raid -- "A pleasure excursion" -- Day clean -- "Some credit" -- "Great sufferers" -- Part four: "We's Combee!" …”

Table of Contents: “…Text and discourse in education : an introduction to critical discourse analysis -- Getting our hands dirty : provisional politics in postmodern conditions -- The material effects of the word : apologies, "stolen children" and public discourse -- New narratives of human capital : recent redirections in Australian educational policy -- After the marketplace : evidence, social science and educational research -- Curriculum, ethics, metanarrative : teaching and learning beyond the nation -- Teaching after the market : from commodity to cosmopolitan -- Using Bourdieu to make policy : mobilising community capital and literacy -- Race and language as capital : a sociological template for language education reform -- Educating the other : standpoint and theory in the internationalisation of higher education -- Generalising across borders : policy and the limits of educational science -- Another ethnic autobiography? …”
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Table of Contents: “…National identity by means of montage in Roberto Rossellini's Paisan -- Luchino Visconti's Bellisima : the diva, the mirror, and the screen -- Bernardo Bertolucci's The last emperor : powerless in Peking -- Mediterraneo and the "minimal utopias" of Gabriele Salvatores -- From Salazar's Lisbon to Mussolini's Rome by way of France in Roberto Faenza's Pereira declares -- Francesco Rosi's Three brothers : after the diaspora -- The alternative family of Ricky Tognazzi's La scorta -- The gaze of innocence : lost and found in Gianni Amelio's Stolen children -- Ginger and Fred : Fellini after Fellini -- Giuseppe Tornatore's Cinema paradiso and the art of nostalgia -- From conscience to hyperconsciousness in Maurizio Nichetti's The icicle thief -- Postmodern Pastiche, the Sceneggiata, and the view of the Mafia from below in Roberta Torre's To die for Tano -- Filming the text of witness : Francesco Rosi's The truce -- The seriousness of humor in Roberto Benigni's Life is beautiful -- Caro diario and the cinematic body of Nanni Moretti.…”
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Table of Contents: “…Introduction : the two cines con niño : the ventiloquism, dialogism and biopolitics of the children of Franco in genre film -- The black market and the stolen children of Franco in Demonios en el jardin -- The appropriative and carnivalesque ventriloquism of altar boys from Joselito in El pequeño ruiseñor to Ignacio in La mala educación -- Ventriloquism, kidnapping and the carnivalesque in Marisol's Tómbola -- Adopting, adapting and appropriating in the cines con niño : Un rayo de luz and El viaje de Carol -- Prosopopeia and the gothic child from Marcelino pan y vino to El orfanato -- Dialogism and ritual function of the nuevo cine con niño : El espíritu de la colmena, Secretos del corazón and El laberinto del fauno -- Queering post-war childhood in Urte ilunak and Pa negre -- The transatlantic dialogism in narrative and aesthetics of Bildungsfilms : La lengua de las mariposas, Machuca, El espíritu de la colmena, El premio, El laberinto del fauno and Infancia clandestina -- Conclusion : Spanish movies : genre, nation and Spanish movie.…”
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