Table of Contents: “…Embarrassment, pride and individual dress choices The flow of change; Notes; 8 Three authentic Emberá discontinuities; Paruma fashion, materiality and versatility; Dressing up to go to church; When Westerners undress to dress up as Emberá; Notes; 9 Indigenous-and-modern Emberá clothes; No single authenticity to discover; Disemia: Indigenous-and-modern; Mirrors, caricatures and the recognition of the exotic in the Self; Notes; References; Index.…”
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Table of Contents: “…Chapter 14: From Doll Cups to Woollen Sweaters: Trends, consumption and influentials in early 19th-century southern Disko Bay, GreenlandChapter 15: From Abundance to Asceticism: Religious influences on perceptions of luxury in Denmark and Great Britain in the 18th century; Chapter 16: Circulating Images of Unmanliness and Foreignness: Collector Niclas Holterman and European caricatures in Sweden around 1800.…”
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Table of Contents: “…Art -- H. Humor and Caricature -- I. Other -- Viix. the Domestic Impact of the Vietnam War -- A. …”
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Table of Contents: “…List of IllustrationsAcknowledgements Foreword by Marlene SmithIntroduction: Making Black Histories, Stories, and Memories VisibleI -- 'Gathering and Reusing' by Lubaina Himid Part 1: Visualising the 'Politics of Representation'Chapter 1: 'Humour, fury, celebration, and optimism': A Politics of Protest and Cut-Out Men (1981-85)Chapter 2: 'Rituals of reclaiming lost artefacts, refusing oppression and looking for ancestors' in Heroes and Heroines (1984)Chapter 3: 'They who document / paint the History hold the Power': Retelling, Reimagining and Recreating New Narratives of Black Heroism in Toussaint I (1988) and Toussaint II (2002)II -- 'Telling Invisible Stories' by Lubaina Himid Part 2: Resistance, Reclamation and Revolutionary History PaintingChapter 4: No more 'Silent Victims': Agency, Authority and Artistry in the 'Black Woman's Story' in Revenge (1992)Chapter 5: 'Lost hope, abandoned lives, decimated civilisations': Sites of 'Cultural Struggle' in Beach House (1995)Chapter 6: 'Safety and danger and how to tell the difference': Suffering, Struggle and Survival in Plan B (1999)III -- 'Return to the Operatic' by Lubaina Himid Part 3: Past, Present and Future Artistry, Activism and AgencyChapter 7: Imaging and Imagining 'Lost Lives of the Black Diaspora' in Venetian Maps (1997) Chapter 8: Reimaging and Reimagining an Absent-Presence in Cotton.com (2003)Chapter 9: 'The Slave Servant': Guerrilla Memorialisation and Multi-accented Performances in Naming the Money (2004)Chapter 10: 'Intervention, Mapping and Excavation': White Caricatures versus Black Dehumanisation in Swallow Hard: The Lancaster Dinner Service (2007)IV -- 'Painting over the British to reveal the British' by Lubaina Himid Part 4: Imagining 'the ghosts and the traces'Chapter 11: Tracing 'The living/ the dead/ the ancestors' in London and Paris Guidebooks (2009)Chapter 12: Mapping Space, Debating Place: Jelly Mould Pavilions (2010) and Official Sites and Sights of Slavery and MemoryChapter 13: 'The 'Ghost' of it all': Tragedy, Trauma and a 'People There and Not There' in Le Rodeur (2016)V -- 'Working on Paper' by Lubaina Himid 'It's All about Action': An Interview with Lubaina Himid by Hannah DurkinConclusion: 'Lives Depend on Accurate Histories'Bibliography.…”
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Table of Contents: “…Cover; Half title; Series Page; Title; Copyright; Contents; Introduction / Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe; Part I: Form; 1 La part picturale du tableau-style / Valentine Robert; 2 The Unsettling of Vision: Tableaux Vivants, Early Cinema, and Optical Illusions / Daniel Wiegand; 3 The Vision Scene: Revelation and Remediation / Frank Gray; 4 Animating Antiquity / Laura Horak; 5 Caricature et films comiques à la Belle Époque: quand le dessin de presse rencontre le cinéma / Jérémy Houillère.…”
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Table of Contents: “…Signs Without Authority: The Battle of Experts, the Caricature of a Discourse and the Failure of Scientific Evidence; Robert Marriott -- 35. …”
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Table of Contents: “…-- How to storyboard a scene -- Staging the action -- Critique: Scheherazade's storytelling -- Points to remember -- References -- 4: How To Draw For Storyboarding: Motion And Emotion -- Only 99,999 to go -- From stick figures to balloon people -- Walt Stanchfield's gesture drawing class -- Caricature -- Designing interesting characters -- Story drive of emotions -- Drawing the four main emotion groups -- Miscellaneous drawing tips -- Drawing for clarity and the use of clear silhouettes -- Mort Walker's The Lexicon of Comicana -- Technical aspects of storyboards -- Critique: 1001 drawings -- Points to remember -- References.…”

Table of Contents: “…The End of Jena: Controversies and Polemics ; The Essay on Bürger ; Sophie Tieck-Bernhardi ; The Ion Fiasco ; Polemics, Caricatures and Lampoons ; Friedrich Schlegel's Europa ; Calderón -- 2.3. …”
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Table of Contents: “…--Enameling --Master of Glass --Screenprinting --Lithography --Etching --Stonecarving --Making Shapes --Cartoon Forms --Colouring Cartoons --Caricatures --Pen and Ink Techniques --Pen and Brush Techniques --Nature Drawings --Drawing Animals --Drawing Birds --Painting Birds --Landscape Painting --Creative Painting --Creative Drawing --Poster Lettering --Poster Drawing --Making a Collage --Fun Techniques --Painting on Stones --Theme Painting --Sketching People --Painting 1 --Painting 2 --Nubia 64 --Art Nouveau: Equivoque 1900.…”
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Table of Contents: “…Expressions of Transculturality: Theatre, Art, Communication, Curricula Memory in Theatre, Theatre in Memory: Experiencing the 'Self/Selves' in Swadeshi Theatre (1905-1911) Mimasha PanditLocating the Transcultural Humanities in South Asian Art: Frescoes in the Lahore Fort Seh-Dara Kanwal KhalidResponses Towards 9/11: Caricatures and Pashto Poetry from Pakistan Nukhbah Taj Langah and Kamal ud Din70 Years of Freedom of Speech and Expression in Pakistan: An Intracultural Analysis of Press/ Media in Time and Social Processes Altaf Ullah KhanLearning to be 'Glocal': Reflections on Transgressive Theories and Transcultural Flows in Pakistani ELT Classroom and CurriculumShirin ZubairPart 6. …”
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